Christopher Lydon in conversation on arts, ideas and politics
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This week: a show from our archive from The Connection days. “It ain’t over till it’s over.” That’s Yogi Berra’s ageless line, in the title now of a summer hit movie just to prove Yogi was right about pretty much everything. He was a most valuable player in his New York Yankees uniform and a most beloved, most creative, most quotable source of Amer…
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Open Source with Christopher Lydon


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A Working Life with Eileen Myles
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The line is intoned now as a sort of chapter heading in our literary-artistic history: Eileen Myles grew up in Boston/Cambridge and moved to New York in 1974 to become a poet. Chris with Eileen Myles. And they did. 20 volumes later—their latest book of poetry is A “Working Life”— they’re very nearly the New York poet, with a branch office in Marfa,…
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We’re humbled—we’re also scared—by the power of chatbots like GPT-4 to do pretty much everything that word people have ever done, but faster and maybe more to the point. The twist in this conversation is that our guests are professional humanists, guardians, and teachers of the hard-earned old wisdom of books, not machines. And the double twist tha…
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Here’s a last burst of wind in our sails, a last gentle guffaw, from a listener we came to adore: the cartoonist Ed Koren. You knew Ed Koren, too, for those furry, quizzical characters he drew and captioned—portraits of our general bemusement—through a 60-year run in The New Yorker magazine. His studio, it turned out, was in rural Vermont, where he…
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Open Source with Christopher Lydon

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How William James Can Save Your Life
38:49
38:49
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William James, thinker and writer, was known widely in the nineteenth century as the adorable genius who invented American pragmatism. He was a brain scientist, student of war and religion, a philosopher who can feel like a very lively presence in the shadows of our condition, whatever we call it. John Kaag. In the 2020s, the philosopher John Kaag …
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Open Source with Christopher Lydon

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Sonny Rollins: Saxophone Colossus
39:22
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There’s nobody quite like Sonny Rollins in the All-American sound and story of jazz. He was a teenager in Harlem in the 1940s when major players caught on to a rising star. Steadily over the decades, he built one of the genius careers on the tenor saxophone, alongside his rival and friend John Coltrane. More than that, Sonny Rollins was making his …
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Out of the blue a decade ago, Paul Harding won a huge popular following, first, and then the Pulitzer Prize for fiction, for his modern Maine sort of folk tale called Tinkers. His new one is deeper, darker, more ambitious philosophically, more poetic, more beautiful in long stretches—more ironical, too, starting with the title. Paul Harding. This O…
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“Don’t forget” is a mantra in our shop: “don’t forget” specially the characters, the moments that made us. Norman Mailer is the spirit-seeker and sometimes reckless truth-teller we are un-forgetting in this podcast. We are summoning Norman Mailer in his hundredth-birthday season, what could be his revival time, to tell us what happened to his count…
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Lydia Moland is reminding us that when present company in American public life comes up short, the ancestors of American democracy and spirit are lurking out there, in abundance and power to reset our judgment of who we are and what is possible, for a society, for each of us. Lydia Moland. Lydia Moland, our sometime radio colleague, is now a philos…
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This is family talk in rural Ireland toward the end of an extraordinary life. My brother Patrick was the youngest of six, the saint among us and always the brightest company. Two winters ago he’d struck an odd note in our regular catching-up by phone, from his community farm in County Kilkenny to my base in Boston. He said, “Chris, I’ve aged more i…
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This show first aired on September 16, 2021. It’s hard not to notice that we’re flunking tests, right and left, and running out of strategies against global-size troubles. COVID, we said, was our test for the age of viruses. At summer’s end the variants are gaining and most of the world is unvaccinated. Afghanistan became a 20-year test of the noti…
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This show originally aired on September 23, 2021. Thomas Mann was one of those cultural giants the world doesn’t seem to make anymore—artists with authority, almost as big as their countries, at the level of Mark Twain, say, Voltaire, or Emerson! In his heyday a century ago Thomas Mann was called “the life of the mind in Germany”: the darkly philos…
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Open Source with Christopher Lydon


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Liner Notes for the Revolution
51:25
51:25
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This show was originally broadcast on July 15, 2021. We know their songs, not so much what they were going through, those Black women artists who wrote and sang so many anthems of American life: Bessie Smith’s “Gimme a Pigfoot” and Mamie Smith’s “Crazy Blues”; stars beyond category like Ethel Waters singing “Shake that Thing” in the ’20s; then Gosp…
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This show first aired on September 30, 2021. Who else could be said to make you smarter, just listening to the sound of his music? Only Mozart, that we know. For 300-and-some years now, he has set the standard for whatever lies beyond perfection. “Too beautiful for our ears,” said the Emperor of the Enlightenment, Joseph the Second, “and far too ma…
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John Quincy Adams was the model president in the early republic who declared that the United States “goes not abroad in search of monsters to destroy.” But “go abroad” we did, as the republic became a world colossus. And monsters there were in the mixed casualties of American power. 200 years later comes the question: what is left to be rescued of …
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A briefing session this hour from our strategic special branch, which is to say: the mind of Chas Freeman in the maelstrom of geopolitics. If President Obama had been given his first choice to sketch the state of the world for him every morning, it would have been the same Chas Freeman, the man who knows too much and says what he sees. It’s not wha…
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How’s to rescue the Earth from us people? Rachel Carson’s way – 60 years ago – was to write a book, and call it Silent Spring. She’d been a shy but defiant biologist in government service. Her book had science behind it, and the rhythm of poetry all through it: one woman’s outcry—as she herself was dying of cancer—against pesticides, most notorious…
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