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Books & Writers · The Creative Process: Novelists, Screenwriters, Playwrights, Poets, Non-fiction Writers & Journalists Talk Writing, Life & Creativity

Novelists, Screenwriters, Playwrights, Poets, Non-fiction Writers & Journalists Talk Writing · Creative Process Original Series

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Books & Writing episodes of the popular The Creative Process podcast. To listen to ALL arts & creativity episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winne ...
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On the urgent need to reclaim our political voices, the forces that silence dissent, and how art and poetry are crucial tools for survival Our guest today is an activist scholar who believes the classroom is inseparable from the public square. David Palumbo-Liu is the Louise Hewlett Nixon Professor of Comparative Literature at Stanford University a…
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On the urgent need to reclaim our political voices, the forces that silence dissent, and how art and poetry are crucial tools for survival “There is a dispute about what the American Dream is or how it would play out in different circumstances. The American dream has essentially been narrowed into a white Christian nationalist notion of things so t…
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How do writers develop their voice, showing us what is important in life? ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers…
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How can we use negative spaces in fiction to engage with readers’ imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves? KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative …
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“ I think we're betting on AI as something that can help to solve a lot of problems for us. It's the future, we think, whether it's producing text or art, or doing medical research or planning our lives for us, etc., the bet is that AI is going to be great, that it's going to get us everything we want and make everything better. But at the same tim…
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As we move towards 2026, we are in a massive “upgrade moment” that most of us can feel. New pressures, new identities, new expectations on our work, our relationships, and our inner lives. Throughout the year, I've been speaking with professional creatives, climate and tech experts, teachers, neuroscientists, psychologists, and futureists about how…
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Send us a text In this episode, musical theatre playwright Isaac Laskin stopped by Playwright's Spotlight to talk about the the development and evolution of his hit L.A. musical Hey, Morgan. He dispels the rumor of being challenged to write a musical about a dear friend, how the origination started as individual standalone songs about his roommate …
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“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After…
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“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a…
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Send us a text Playwright Clara Rodriguez jumped into the Playwright's Spotlight in the midst of the run of her latest play - Pointy Scissors. In this discussion, we delve into the theatre company at Theatre West in Los Angeles and their Writers in Residence program. We unpack her journey into playwriting and her motivation and inspiration, the fee…
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Send us a text Playwright James Merolla streamed onto Playwright's Spotlight. We had an engaging and honest conversation about his background as a director and a theatre reviewer and how that eventually led to becoming a playwright. We discuss his struggles with rejection and doubting your talent and being a late-starting and older playwright and e…
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“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the de…
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“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done h…
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Send us a text Dietrich Smith jumped into the Playwright's Spotlight after the opening of his World Premiere adaptation of Franz Kafka's novel Amerika. We explore his background as the literary manager at the Open Fist Theatre Company and the trends he observed from submissions. We speak about establishing theme and whose story it is in a piece, ma…
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Today’s episode is about something most of us long for: feeling healthy in our bodies and calm in our minds – not by pushing harder, but by letting the body restore itself. Our guest today is LD Chen, an entrepreneur-turned-author who discovered the ancient wisdom that healing doesn’t come from trying harder, but from restoring the body’s natural i…
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“Oneness is actually not about learning in the usual way. Most teachings tell you how to learn – how to let go, how to calm down, how to manage anger. Oneness does the opposite: we stand, we train the body to correct the heart, and then we live from that heart.” Today’s episode is about something most of us long for: feeling healthy in our bodies a…
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Send us a text Sofia Streisand dropped into Playwright's Spotlight to discuss the U.S. premiere of her play Bluebeard's Castle (that I misspoke as Blackbeard's) November 1st through November 23rd. In this discussion, we discuss the difference between Russian, European, and American theatre, her journey from musical theatre to playwriting, writing m…
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Send us a text Ankita Raturi basked under the Playwright's Spotlight for the World Premiere of her play Neha & Neel. In this discussion we break down the concept of applied theatre and being a teaching artist, how it effects character, exercises that extrude character and whether or not the practice makes it into a piece. We unpack earning a monolo…
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How do our environments shape who we are and how we care for the world and each other? There are many solutions to climate change, inequality, and poverty around the world. How can we learn from them and transform our society? Eiren Caffall (All the Water in the World) discusses the importance of embracing complexity and emotional flexibility in fa…
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“There are many ways in which I think human exceptionalism has seeped into the sciences, but one of the many ways is through the methodologies we use when we compare the intelligence of humans and other species. In particular, in my field, I’m a primatologist by training, comparing the cognitive abilities of humans with the abilities of our closest…
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Send us a text Playwright Crystal Skillman beamed into the Playwright's Spotlight from Indianapolis for the run of her World Premiere play The Rocket Men. We discuss how one becomes a 4-time NYT's Critics' Pick playwright, what it means to be a "theatrical" writer, writing design on the page and offering solutions, trusting and listening to your au…
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Send us a text Israel López Reyes swung by the studio before the opening of his recent commission to discuss his background leading up to it and his success as an Angeleno playwright. We discuss his journey from actor to playwright, how he fell into theatre and his discovery to figuring out story and telling stories that matter. We unpack the evolu…
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“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for th…
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“My book is called Empire of AI because I'm trying to articulate this argument and illustrate that these companies operate exactly like empires of old. I highlight four features that essentially encapsulate the three things you read. However, I started talking about it in a different way after writing the book. The four features are: they lay claim…
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Send us a text Filmmaker turned playwright, David Kohner Zuckerman, dropped into Playwright's Spotlight to talk about the World Premiere of his play Parallel Process. In this interview, we talk unpack his journey from film to stage and how it affect his writing, his approach to naturalism and honesty to his writing, and how his acting and directing…
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This past summer (2025), I had the opportunity to perform my one-person show Robert’s Eternal Goldfish at a few assisted living facilities for older audiences. This is how it went and what I learned. https://ia801006.us.archive.org/16/items/the-cultivated-playwright-ep.-47-performing-for-older-audiences/The%20Cultivated%20Playwright%20Ep.%2047%20-%…
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“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.” Etgar Keret is one of the most inventive and celebrated short story writers of his g…
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“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talk…
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“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted t…
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Send us a text Playwright Stuart Brown streamed into Playwright's Spotlight for a second time after technical difficulties with sound, but I hope delved a little deeper this time around. We discuss the Connecticut Theatre Market, being a critic and a playwright and how the former affected the latter, honesty as a critic, and advice to theatre compa…
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