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Hosts Gavin Scott (from Chart Beats: A Journey Through Pop) and Matthew Denby work their way through all the singles produced by Mike Stock, Matt Aitken and Pete Waterman (SAW), starting in 1984 with "The Upstroke" by Agents Aren't Aeroplanes and taking in hits by Dead Or Alive, Hazell Dean, Bananarama, Princess, Mel & Kim, Rick Astley, Kylie Minogue, Sinitta, Jason Donovan, Divine, Sonia and more, as well as lesser known chart misses. Bonus interviews and discussion: chartbeats.com.au/saw ( ...
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Although both Matt Aitken and Mike Stock had left the building, PWL Records continued to release music — and in this epilogue episode, we look at some of the artists who succeeded and some that didn't hit the mark in the few years after the demise of Stock Aitken Waterman. Former PWL MD David Howells joins us to discuss the challenges of starting a…
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Every journey has an ending, and in this episode, we reach the final three singles produced by Mike Stock and Pete Waterman in 1993 — and discuss the events surrounding the termination of the partnership as Mike left PWL. Former Miss America Suzette Charles joins us to talk about her singing/acting/pageant career and how she turned up at PWL demand…
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The top 40 resurgence was over, with the next few Stock and Waterman singles released in 1993 struggling on the UK chart. But it wasn't for want of trying. Tapping into the same piano house sound that had yielded hits for Sybil (with and without West End), "Looks Like I'm In Love Again" by Key West featuring Erik had come to PWL via Eddie Gordon's …
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The commercial resurgence at PWL continued in 1993, with all four of the singles covered in this episode becoming UK hits. Still on her hot streak following the success of "The Love I Lost" with West End, Sybil returned to the top 5 with original tune "When I'm Good And Ready", which was credited to her alone. Sybil tells us what she thought of the…
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Things were looking up at the Hit Factory in early 1993. Mike Stock and Pete Waterman found themselves in the UK top 5 with back-to-back singles — something that hadn't happened in three years. And the latest of those big hits came from a remake of "The Love I Lost" released by West End featuring Sybil. The story behind the single is an intriguing …
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Before we begin our journey through Mike Stock's final year working with Pete Waterman at PWL, we have a preview of what's still to come. Plus, we share the first 10 minutes of our recent Greatest Hits by Kylie Minogue bonus episode To hear the full Greatest Hits by Kylie Minogue bonus episode and all the other extra content, you can subscribe at c…
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To wrap up 1992, Stock and Waterman worked with two new artists and two returning favourites. In the case of Kylie Minogue, it was to be her final single released with PWL. Fittingly, her version of "Celebration" was lifted from Greatest Hits and gave her a final UK top 20 hit before departing for new musical adventures. We hear from Phil Harding &…
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Summer 1992 didn't yield much in the way of Stock and Waterman productions. But in August that year, there was a sudden rush of releases, kicked off by a curious novelty record: a remake of "Summer Holiday" by Fat Slags, characters from Viz. Former PWL engineer Pete Day helps us get to the bottom of who exactly performed on the track. Meanwhile, Ky…
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In early 1992, Boy Krazy were still a year away from their belated massive success in the US with "That's What Love Can Do" and they followed up that debut single in the UK with "All You Have To Do". Now a four-piece, the girl group shifted musical gears, releasing a more club-influenced track, but once again it failed to connect. Ruth Ann, Kimberl…
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Following their launch in 1991 with debut single "Get Ready For This", Eurodance duo 2 Unlimited enjoyed a string of more than a dozen hits around the world. What does that have to do with Stock Aitken Waterman? Well, in the UK, the act fronted by Ray Slijngaard and Anita Doth was signed to PWL Records at a time when the Hit Factory's in-house prod…
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There was no denying the popularity of rave and techno in the UK in 1991, and Stock and Waterman went all clubby as the year drew to a close — with help from some key collaborators. DJs Paul Taylor and Danny Bennett (aka Danny Hibrid) from Angels nightclub visited PWL to work with Tony King on remixing Kylie Minogue album track "I Guess I Like It L…
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Late in 1991, PWL was trying all sorts of things to get back in the charts on a regular basis, including working with '80s funk/soul band Cool Notes. Single "Make This A Special Night" harked back to some of SAW's earliest releases when they dabbled in R&B — and was one of several tracks recorded with the group, which was now a trio. Singer Laurain…
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They were the pop stars that changed everything for the Hit Factory — and in this episode we discuss pivotal singles for Jason Donovan and Kylie Minogue. In Jason's case, his remake of "Happy Together" was his final single with PWL, as he made the leap to musical theatre and a new record label. The cover version was also the first Stock and Waterma…
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To mark the third anniversary of A Journey Through Stock Aitken Waterman, former PWL remixer Tony King joins us to share his story of going from Phil Harding's assistant to being responsible for a Billboard Hot 100 smash hit thanks to his remix of "Don't Make Me Over" by Sybil. Tony recounts the "weird" way he landed a job at PWL and how his first …
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The Boy Krazy story is one of the most interesting — and complicated! — in the SAW history. The American girl group was put together through auditions in New York, going through a few line-up changes before the final five-piece, Johnna, Josselyne, Kimberly, Renee and Ruth Ann, signed a deal with PWL Records and flew to London to start recording wit…
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It had to happen at some point. In May 1991, the Stock Aitken Waterman era ended when Matt Aitken walked away from his role as one third of the songwriting and production trio. In this episode, he explains what prompted his decision and we explore the changing nature of PWL at the time, which was a contributing factor in the split. Mike Stock also …
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The fourth in arguably the best singles run in pop music history was also a first for Stock Aitken Waterman, as external mix team DNA took care of the 7" remix of "Shocked" by Kylie Minogue, Neal Slateford from DNA tells us how the unprecedented remix came about following the runaway success of his and production partner Nick Batt's reinvention of …
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She was our very first interviewee back in Episode 1 — and we finally reach the conclusion of Hazell Dean's Stock Aitken Waterman journey with her version of "Better Off Without You", which was released in 1991. The Queen of Hi-NRG joins us once again to discuss recording a song previously cut by Lonnie Gordon and her thoughts about the SAW sound s…
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While "What Do I Have To Do" by Kylie Minogue stands on its own two feet as a song, the impact of the single was increased greatly due to the striking imagery on display on the single cover and in the music video. Celebrity stylist David Thomas takes us right back to the early years of his career and tells the story of how he was hired to style the…
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In 1991, it was another bold step forward for Kylie Minogue, and in the decades since, "What Do I Have To Do" has cemented its place among fans' all-time favourites from her extensive back catalogue. But the third single from Rhythm Of Love didn't come together easily, with a lengthy period of time spent mixing the club-influenced track — and remix…
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You can have the best single in the world, but there's little chance of it being a hit if no one hears it. That's where pluggers come in — taking songs to radio and convincing programmers to playlist them. In 1987, Ron McCreight and his business partner, Robert Lemon, joined forces with PWL's Pete Waterman and David Howells in a plugging company th…
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Check out previews of two of our most popular bonus track-by-track episodes. Gavin and Matt discuss Kylie, the debut album by Kylie Minogue, and, with special guest Barry Stone, talk about the first SAW-produced album by Dead Or Alive, Youthquake. As well as giving our thoughts on every song, we count down listeners' favourite tracks. If you enjoy …
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What a tumultuous year 1990 had been for the Hit Factory — and the final four singles produced by Stock Aitken Waterman that year certainly highlight that. What should have been Lonnie Gordon's second SAW-produced single, "If I Have To Stand Alone", came out as her third, but despite being in the same vein as top 5 hit "Happenin' All Over Again", i…
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After the big creative risk that was previous single and video "Better The Devil You Know", Kylie Minogue and Stock Aitken Waterman went for something more playful with follow-up "Step Back In Time". With its fun lyrical nod to '70s disco music and a video dripping in retro style, the song was pure pop joy — and another big hit at a time when the H…
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Although she had been signed to PWL in the UK for a while and scored a couple of hits with remakes of "Don't Make Me Over" and "Walk On By", Sybil went into the studio with Stock Aitken Waterman in 1990 to record soulful ballad "Make It Easy On Me". The American singer/songwriter joins us to discuss starting out with US label Next Plateau in 1986, …
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Although they'd achieved some hits with ballads that they had produced, Stock Aitken Waterman were better known for their uptempo pop/dance tracks, but in mid-1990, four ballads in a row emerged from the Hit Factory. Three of those were the latest releases in the jukebox era series of remakes, with Big Fun ("Hey There Lonely Girl"), Sonia ("End Of …
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When they came to work with Stock Aitken Waterman, pop act Yell! had one top 10 hit under their belt already — a remake of Dan Hartman's "Instant Replay". Signed to Simon Cowell's Fanfare label, the duo comprised of Daniel James and Paul Varney recorded their follow-up, "One Thing Leads To Another", with SAW, but it was not the success anyone hoped…
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They'd been on the verge of breaking through for a couple of years, and sisters Romi & Jazz had their hopes up when their record label paired them with Stock Aitken Waterman for their latest single in 1990. The siblings join us to share their musical journey — from their first steps into the industry with a bhangra meets hi-NRG remake of The Four T…
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As great a song as it is, "Better The Devil You Know" would not have been anywhere near as impactful as it was without its accompanying music video. A landmark in Kylie Minogue's career, the video transformed her image from that of girl-next-door to "sex kitten", according to director Paul Goldman, who joins us to detail the before, during and afte…
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After two very successful albums at PWL, but little in the way of artistic control, Kylie Minogue was ready for a change. And in this first part of a two-part special looking at landmark release "Better The Devil You Know", we hear from those closest to her about the strategy taken to compel Stock Aitken Waterman to agree to a more collaborative ap…
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His journey with Stock Aitken Waterman was one of the most successful, with multiple UK number 1 hits and the highest-selling album in Britain in 1989. And now, Jason Donovan joins the podcast to talk about his time at the Hit Factory. From his first steps into the music industry with Mushroom Records in Australia to his early sessions with Pete Ha…
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Her time at PWL might not have yielded any hits, but the short-lived pop career of Japanese singer Kakko is the stuff of legend. We take a deep dive into the story behind her debut single, "We Should Be Dancing”, hearing from PWL’s David Howells and Nicki L’Amy Brée about how the aspiring performer learnt the ropes at the label before being sent in…
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New year. New artist. New hit. Stock Aitken Waterman's hit streak continued in 1990 with the breakthrough single for American club artist Lonnie Gordon, who had relocated to the UK in the 1980s and made a name for herself with a series of personality-filled anthems like "No Regrets", "Love Eviction", "(I've Got Your) Pleasure Control" and "It's Not…
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Any fears that the public had tired of Stock Aitken Waterman were dismissed as 1990 got underway and the latest single by Kylie Minogue became the next UK chart-topper for the trio. Taken from the soundtrack to her feature film debut in The Delinquents, Kylie's remake of 1950s classic "Tears On My Pillow" got the new decade off to a great start in …
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The name Yoyo is well known to Stock Aitken Waterman fans, appearing on the back covers of dozens of hit singles and albums. The long-time PWL engineer was an integral part of the team from May 1986 when he earned a job as an assistant at the new studios at the Vineyard, London. Yoyo (real name: Boyowa Olugbo) quickly established himself as a studi…
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And so our journey reaches the end of the '80s and the conclusion of Stock Aitken Waterman's most commercially successful year. The final three singles released in 1989 were all top 10 hits, including "Listen To Your Heart" by Sonia, which saw a return to the poppy fare of her debut and caught the attention of comedy duo French & Saunders, who sent…
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Kylie Minogue. Big Fun. Donna Summer. The last time we encountered these three artists, things were going swimmingly for each of them. In the case of Kylie, she had just racked up her seventh UK top 2 hit in a row — a run that was broken by "Never Too Late", the third single from Enjoy Yourself. As well as discussing why a tune as good as "Never To…
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Teen heartthrobs past and then-present rubbed shoulders as Stock Aitken Waterman wrote and produced the latest hit for music industry veteran Cliff Richard and the final single was lifted from Jason Donovan's debut album, Ten Good Reasons. Matt Aitken reveals what it was like to work with an artist as well-established as Cliff and how the song they…
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As we hit the second half of 1989, we take a look at the latest singles from Kylie Minogue and Donna Summer. On "Wouldn't Change A Thing", PWL's pop princess took another step towards a cooler sound and, in the video, a more grown-up image. Stylist Sharon McPhilemy fills us in on how the looks in Kylie's first UK-shot music video came together. We'…
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The UK chart-toppers continued for Stock Aitken Waterman as another two singles reached the top spot in 1989. First, there was Jason Donovan's remake of a much-covered tune. Part of SAW's series of '50s and '60s covers performed by their teen-friendly artists, "Sealed With A Kiss" had the potential to widen Jason's appeal even further, but was the …
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In this special episode focusing on the PWL look, we hear from former PWL MD David Howells, who was responsible for the label's visuals, stylist Sharon "Shazza" McPhilemy and hairstylist Lino Carbosiero. The three members of the PWL team talk about working with the label's roster of artists and what the approach to image and style was. Support the …
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After blitzing the Australian and UK charts with her debut album, it was time for Kylie Minogue to move onto her follow-up, Enjoy Yourself, and thanks to the chart-topping success of its lead single, "Hand On Your Heart", there would be nothing difficult about this second album. Mike Stock returns to the podcast to discuss the inspiration and enthu…
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By early 1989, Jason Donovan had a couple of hits under his belt, but his music career went into overdrive with the release of "Too Many Broken Hearts" and the mass hysteria that followed his every move in the UK. Jason has been the first to acknowledge it took him a while to warm up as a singer and we hear from engineer Karen Hewitt and long-term …
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She was the queen of disco; they were an unstoppable pop music force. Together, Donna Summer and Stock Aitken Waterman made some of their best music together. In this look at the first single from the Another Place And Time album, we chart Donna's landmark run of hits in the 1970s and difficult transition into the 1980s thanks to a deal with Geffen…
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A protest song. A novelty record. A camp classic. The beginning of the end. "I'd Rather Jack" by The Reynolds Girls has been called a lot of things over the years and it remains one of the Stock Aitken Waterman singles that is most fiercely debated by fans. A swing at restrictive radio playlists, the record was fronted by teenage sisters Linda and …
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Thanks to a little help from comedy trio Dawn French, Jennifer Saunders and Kathy Burke (aka Lananeeneenoonoo), Bananarama's hit streak continued as their remake of The Beatles' "Help!" took them back to the UK top 3 in early 1989. Released in support of Comic Relief, the cover version was true to the song's pop roots musically, but came with added…
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Samantha Fox joins us to kick off our look at the singles produced by Stock Aitken Waterman released in 1989, with her remake of "I Only Wanna Be With You" the first track to hit the chart that year. We go right back to the start of Samantha's career and hear from her about becoming famous as a glamour model, being approached by Jive Records to aud…
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Before we continue our journey into the singles released in 1989, Matt Aitken joins us for a special episode recapping the era from 1984-88. We go way back to SAW's first single, "The Upstroke", and talk about the record that brought Mike Stock, Matt Aitken and Pete Waterman together, as well as some of the hi-NRG tracks that followed (including pr…
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It was the single no one wanted to record. Not Kylie Minogue and Jason Donovan, who thought the idea of doing a duet would confirm the off-screen relationship they had been denying for months. And not Stock Aitken Waterman, who feared releasing a track by two of their biggest stars would seem cheesy and like a crass cash-in. But public demand in th…
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Violence! Legal disputes! Assassination plots! Before Sigue Sigue Sputnik came to work with Stock Aitken Waterman, they’d already created a storm of controversy and a tabloid frenzy. Bassist Tony James tells us about the initial headline-grabbing antics of the synthrock band — from falling foul of Stanley Kubrick due to uncleared samples on “Love M…
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