“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 3, "LA Made: The Other Moonshot," tells the story of three Black aerospace engineers in Los Angeles, who played a crucial role in America’s race to space, amid the civil unrest of the 1960s. When Joan ...
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1 Exile
Welcome to Exile, a podcast about Jewish lives under the shadow of fascism. Narrated by award-winning screen and stage actor, Mandy Patinkin. Untold stories and firsthand accounts drawn from intimate letters, diaries and interviews found in the Leo Baeck Institute’s vast archive. Each episode, a story of beauty and danger that brings history to life. Because the past is always present. Starting November 1, episodes are released weekly every Tuesday. The Leo Baeck Institute, New York | Berlin is a research library and archive focused on the history of German-speaking Jews. Antica Productions produces award-winning non-fiction podcasts, films and series which inform and inspire audiences around the world.
Slate History
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A feed with the best history coverage from Slate’s wide range of podcasts. From narrative shows like Slow Burn, One Year, and Decoder Ring, to timely analysis from ICYMI and What Next, you’ll get the fascinating stories and vital context you need to understand where we came from and where we're going.
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219 episoade
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A feed with the best history coverage from Slate’s wide range of podcasts. From narrative shows like Slow Burn, One Year, and Decoder Ring, to timely analysis from ICYMI and What Next, you’ll get the fascinating stories and vital context you need to understand where we came from and where we're going.
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1 Culture Gabfest: Noah Wyle Lures Us Into The Pitt 1:07:52
1:07:52
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On this week’s show, the hosts discuss Max’s new medical drama The Pitt – a show that we legally can’t call an ER reboot but does have Noah Wyle donning scrubs and handling the next bodily emergency yet again. Our regular hosts also discuss an article from the Intelligencer, The Cruel Kids’ Table about how young Republicans now feel empowered to bring cruelty back into public discourse. Finally, we welcome LA Film Critic Amy Nicholson to discuss the Oscar-nominated film September 5 about the hostage crisis during the 1972 Munich Olympics. Also, we’re looking for a new Production Assistant! To apply, send us an email introducing yourself and give two ideas for segments to culturegabfestassistant@gmail.com . In the exclusive Slate Plus segment, the panel tackles the biggest luminary question of the year: Do you use ‘ The Big Light ’? Email us at culturefest@slate.com . Endorsements: Dana: Just sort of a beautiful moment: Live wolf howls in Manitoba, Canada Julia: Branded in Memory | Signs.com / Draw Logos From Memory – Test your recall and see if you can recreate popular brand logos Steve: The Wired Starter Pack on bsky and Subscribe to Wired Podcast production and research by Vic Whitley-Berry. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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1 Hit Parade | The Freewheelin’ Edition Part 2 1:02:48
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At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob’s voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind . And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan’s career decade by decade, from his ’60s folkie years to his 21st-century revival. With the biopic reviving interest in rock’s poet laureate, there’s never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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1 Decoder Ring | Jump, Jive and Fail: The ’90s Swing Craze 1:06:01
1:06:01
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When we recently got a couple of listener emails asking about the swing revival of the late 1990s, host Willa Paskin’s first, knee jerk reaction was just: no. She lived through it, and remembers it as being so incredibly corny and uncool. Insofar as the swing revival persists in the cultural memory, it’s usually as a punchline or as head-scratcher, a particularly odd-seeming fad. But then we started talking to everyone who was anyone in the swing scene, from Big Bad Voodoo Daddy to the dancers in the infamous Gap khakis commercial. It turns out the 90’s swing revival is more involved, more interesting and, OK, maybe cooler than we ever imagined. It’s about an underground scene that went above ground in a major way, and how that level of success can obscure what’s happening while it’s happening—but also long after it’s over. This episode was written and produced by Willa Paskin, Evan Chung, and Sofie Kodner with mix help from Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Max Freedman and Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to listeners Lorraine Denman and Alex Friendly for originally asking us about the ‘90s swing revival. In this episode, you’ll hear from Mando Dorame , Michael Moss, Scotty Morris, Tom Maxwell , Sylvia Skylar, Christian Perry, Steve Perry, John Bunkley, and Carl Byrd . Thank you to Kerstin Emhoff, Tom Breihan, Stephanie Landwehr, and Ken Partridge, whose conversation and book Hell of a Hat: The Rise of '90s Ska and Swing was extremely helpful. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. Or you can also call us now at our new Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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1 Gabfest Reads | Finding Connection in the Aftermath of History’s Horrors 33:54
33:54
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Emily Bazelon talks with author Yael van der Wouden about her debut novel, The Safekeep . They discuss why Yael chose a queer love story, how Yael’s own Dutch and Jewish heritage influenced her writing, the history of dispossession after World War II, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Hit Parade | The Freewheelin’ Edition Part 1 1:04:39
1:04:39
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At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob’s voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind . And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan’s career decade by decade, from his ’60s folkie years to his 21st-century revival. With the biopic reviving interest in rock’s poet laureate, there’s never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Culture Gabfest: Babygirls and Nickel Boys 1:17:54
1:17:54
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On this week’s show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film’s audacious use of first-person point-of-view in filmmaker RaMell Ross’ adaptation of Colson Whitehead’s Pulitzer Prize-winning novel, The Nickel Boys . Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni. In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires. Email us at culturefest@slate.com . Endorsements: Nadira: Transa by Red Hot Org. Specifically, “ Is It Cold In The Water ” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks . Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University’s WKCR . Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Hit Parade | The Bridge: Slate Music Club 2024 35:12
35:12
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The Slate Music Club is back, in a special edition of Hit Parade – “The Bridge”! Our year-end panel of critics—NPR Music’s Ann Powers , Hearing Things’ Julianne Escobedo Shepherd , Slate’s own Carl Wilson and Hit Parade host Chris Molanphy —discuss their favorite albums and singles and the trends that shaped the year in pop, rap, country, Latin and global music. Among the questions the roundtable tackles: Have we reached peak Taylor Swift? Did the Kendrick Lamar–v.-Drake beef overshadow hip-hop’s next generation? How much further will country cross over to pop audiences—and how does Latin music fit in? How did music from diverse artists stand in for protest music in 2024? And what will become of music criticism itself? Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Hit Parade | I’d Like to Teach the World to Buy Edition Part 2 44:49
44:49
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That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can’t get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The ’70s country-pop smash by a character who didn’t exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that’s beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi’s jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100’s penthouse. We may think we don’t want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Gabfest Reads: The Life and Legacy of John Lewis 38:52
38:52
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Slate Political Gabfest host David Plotz talks with author David Greenberg about his new book, John Lewis: A Life . They discuss how Lewis went from marching with Martin Luther King, Jr. to an iconic career as a politician, Lewis’s commitment to non-violence, how Greenberg uncovered never-before-seen documents, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com . (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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1 Decoder Ring | Mailbag: Fruit Snacks, Waterbeds, and Lobster Tanks 52:38
52:38
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It’s our annual mailbag episode! We get a lot of wonderful reader emails suggesting topics for the show — and at the end of the year we try to answer some of them. This year, we’re tackling four fascinating questions. Why do grocery stores keep live lobsters in tanks, unlike any other animal? How did candy get rebranded as “fruit snacks” when fruit is already a snack? Whatever happened to perfumed ads in magazines? And what was the waterbed all about? We’ll get an answer from the waterbed’s inventor who still has four of them. You’ll hear from Ray Shalhoub of Joray Fruit Rolls , consumer lawyer Steve Gardner, Jessica Murphy , aka the “Perfume Professor,” inventor Charlie Hall, restaurant historian Jan Whitaker , and the CEO of Crustacean Compassion , Dr. Ben Sturgeon. This episode was produced by Max Freedman and Sofie Kodner. Decoder Ring is also produced by Willa Paskin, Evan Chung, and Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com . Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Hit Parade | I’d Like to Teach the World to Buy Edition Part 1 59:42
59:42
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That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can’t get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The ’70s country-pop smash by a character who didn’t exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that’s beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi’s jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100’s penthouse. We may think we don’t want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Outward: How Lesbian Artists Turned Renaissance Ruins Into Queer Spaces with Kate Thomas 35:09
35:09
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This week, Christina Cauterucci explores the intimate connections between queer identity and the natural world with Bryn Mawr professor Kate Thomas. In this episode, we journey through the lives of Florence Blood and Princess Ghika, two enigmatic lesbians who found self-expression, love, and freedom renovating their Italian Renaissance estate at the turn of the 20th century- creating an enchanting landscape to host lesbian artists and thinkers of the time. Thomas unpacks how their landscapes reflect their identities and what they can teach us about the enduring relationship between queerness and the environment. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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1 Hit Parade | Say a Little Prayer Edition Part 2 58:25
58:25
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You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace —and she always remained a natural woman . Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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1 Outward: What Southern LGBTQ History Can Teach Us 46:36
46:36
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In this episode, host Jules Gill-Peterson speaks with the co-founders of Invisible Histories about their groundbreaking work preserving the rich, often overlooked history of queer life in the American South. At a time when LGBTQ+ communities face growing threats, safeguarding these stories is more urgent than ever. Together, they discuss how archiving resilience, joy, and everyday lives challenges erasure and ensures these vital narratives inspire future generations. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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Slate History
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1 Hit Parade: Say a Little Prayer Edition Part 1 1:01:00
1:01:00
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You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace —and she always remained a natural woman . Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices…
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