In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Revisiting the Classics: Schmigadoon!
Manage episode 446491173 series 3380432
Content provided by UCTV. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by UCTV or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Composer Christopher Willis joins moderator Tyler Morgenstern (Assistant Director, Carsey-Wolf Center) for a discussion of his work on Schmigadoon! They discuss how theatrical and movie musical history, as well as Willis’ musicology background, informs the music of the show. They explore the challenge of composing an underscore, and incorporating the stylistic variation of decades of musicals, from the Golden Age musical tradition to the darker themes of 1960s and 1970s productions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39993]
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312 episoade
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Manage episode 446491173 series 3380432
Content provided by UCTV. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by UCTV or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Composer Christopher Willis joins moderator Tyler Morgenstern (Assistant Director, Carsey-Wolf Center) for a discussion of his work on Schmigadoon! They discuss how theatrical and movie musical history, as well as Willis’ musicology background, informs the music of the show. They explore the challenge of composing an underscore, and incorporating the stylistic variation of decades of musicals, from the Golden Age musical tradition to the darker themes of 1960s and 1970s productions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39993]
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Similar cu Film and Television (Audio)
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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…
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
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continue reading
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…
continue reading
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continue reading
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