In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Priscilla: Sofia Coppola was the perfect person to make this
Manage episode 409035160 series 2928332
Content provided by Maisie Williams. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maisie Williams or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
For this week's episode we're not going to beat around the bush; we really loved Sofia Coppola's Priscilla (2023) and if you listen you’ll find out why. The film follows the perspective of Elvis’s teen wife, a rare autobiographical film that actually gives the time of day to a woman of that generation. Not only is this film completely non-judgemental, but Coppola somehow has a way of making us relate to a woman we have nothing in common with. Would we have been more satisfied ending with an explosion of emotions? Not all of us agree. From that soundtrack, to that age gap, to the Presley family response... we have a lot to unpack. Join us, and then listen to some Dolly Parton.
A full transcript of this episode can be found here.
Keep up to date with us on Instagram, TikTok, Letterboxd and YouTube: @frankfilmclub
Hosted on Acast. See acast.com/privacy for more information.
66 episoade
Distribuie
Manage episode 409035160 series 2928332
Content provided by Maisie Williams. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maisie Williams or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
For this week's episode we're not going to beat around the bush; we really loved Sofia Coppola's Priscilla (2023) and if you listen you’ll find out why. The film follows the perspective of Elvis’s teen wife, a rare autobiographical film that actually gives the time of day to a woman of that generation. Not only is this film completely non-judgemental, but Coppola somehow has a way of making us relate to a woman we have nothing in common with. Would we have been more satisfied ending with an explosion of emotions? Not all of us agree. From that soundtrack, to that age gap, to the Presley family response... we have a lot to unpack. Join us, and then listen to some Dolly Parton.
A full transcript of this episode can be found here.
Keep up to date with us on Instagram, TikTok, Letterboxd and YouTube: @frankfilmclub
Hosted on Acast. See acast.com/privacy for more information.
66 episoade
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Similar cu Frank Film Club with Maisie Williams
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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continue reading
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…
continue reading
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