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Turn Around, Bright Eyes, Part 1

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Content provided by Slate Podcasts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Slate Podcasts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Hit Parade is back for non-Slate Plus listeners! Upcoming episodes will be split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive into our subjects. slate.com/hitparadeplus.

Producers and songwriters have a major impact on how a finished pop song sounds, and feels. But it’s possible no hitmaking mastermind—not even Phil Spector—has had a more specific pop sound than Jim Steinman. His songs have an unmistakable signature: pounding pianos, revving motorcycles, sometimes literal thunder. And power-vocalists singing passionate lyrics that don’t always make sense but always sound like the fate of the world depends on this song.

Chris Molanphy tells the story of a fervent, headstrong songwriter who fused with a singer who called himself Meat Loaf, creating a blockbuster song cycle called Bat Out of Hell. Steinman then went on to spread his pomp-rock to other artists: Bonnie Tyler’s “Total Eclipse of the Heart.” Air Supply’s “Making Love Out of Nothing at All.” Celine Dion’s “It’s All Coming Back to Me Now.” Every song sounded like a hallelujah chorus and a Broadway show—even though Steinman’s actual Broadway show was a notorious flop. But nothing keeps Jim Steinman down. Forever’s gonna start tonight.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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160 episoade

Artwork
iconDistribuie
 
Manage episode 274579660 series 1586432
Content provided by Slate Podcasts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Slate Podcasts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Hit Parade is back for non-Slate Plus listeners! Upcoming episodes will be split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive into our subjects. slate.com/hitparadeplus.

Producers and songwriters have a major impact on how a finished pop song sounds, and feels. But it’s possible no hitmaking mastermind—not even Phil Spector—has had a more specific pop sound than Jim Steinman. His songs have an unmistakable signature: pounding pianos, revving motorcycles, sometimes literal thunder. And power-vocalists singing passionate lyrics that don’t always make sense but always sound like the fate of the world depends on this song.

Chris Molanphy tells the story of a fervent, headstrong songwriter who fused with a singer who called himself Meat Loaf, creating a blockbuster song cycle called Bat Out of Hell. Steinman then went on to spread his pomp-rock to other artists: Bonnie Tyler’s “Total Eclipse of the Heart.” Air Supply’s “Making Love Out of Nothing at All.” Celine Dion’s “It’s All Coming Back to Me Now.” Every song sounded like a hallelujah chorus and a Broadway show—even though Steinman’s actual Broadway show was a notorious flop. But nothing keeps Jim Steinman down. Forever’s gonna start tonight.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

160 episoade

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