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Dangerous Women

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Content provided by Selected Shorts and Symphony Space. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Selected Shorts and Symphony Space or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Host Meg Wolitzer presents three works about women who defy the status quo and might therefore be perceived as “dangerous.” In Margaret Atwood’s “Unpopular Gals,” fairy-tale archetypes reclaim their power. The reader is Ann Harada. A boisterous and brilliant student threatens to upend the order of her high school in Shanteka Sigers’ “A Way with Bea,” performed by Pascale Armand. And a Victorian-era wife fights for her sanity in Charlotte Perkins Gilman’s classic “The Yellow Wallpaper,” performed by Carrie Coon. The show also includes commentary by the Egyptian-American journalist and activist Mona Eltahawy.
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175 episoade

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Dangerous Women

Selected Shorts

57 subscribers

published

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Manage episode 331831176 series 1539694
Content provided by Selected Shorts and Symphony Space. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Selected Shorts and Symphony Space or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Host Meg Wolitzer presents three works about women who defy the status quo and might therefore be perceived as “dangerous.” In Margaret Atwood’s “Unpopular Gals,” fairy-tale archetypes reclaim their power. The reader is Ann Harada. A boisterous and brilliant student threatens to upend the order of her high school in Shanteka Sigers’ “A Way with Bea,” performed by Pascale Armand. And a Victorian-era wife fights for her sanity in Charlotte Perkins Gilman’s classic “The Yellow Wallpaper,” performed by Carrie Coon. The show also includes commentary by the Egyptian-American journalist and activist Mona Eltahawy.
  continue reading

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