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Sonnet 108: What's in the Brain That Ink May Character

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Manage episode 451748458 series 3415878
Content provided by Sebastian Michael. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sebastian Michael or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

With Sonnet 108, William Shakespeare loops back into sentiments expressed intermittently since Sonnet 76, but particularly again recently in Sonnet 105: I have essentially said it all, there is nothing I can do other than repeat and reiterate and rephrase the praises I have sung and continue to sing for you. What it also picks up from Sonnet 105 is the religious tone this set with a there still fairly oblique reference to the Holy Trinity. This was already amplified, though subtly, in Sonnet 106, and here finds a whole new level of what may potentially be perceived as impudence, if looked on from a devoutly religious perspective.
What it also does – and this may in some respects for our observation be most directly relevant – is to tell his young lover yet again that he is showing signs of age, but that to him, Shakespeare, this doesn't matter.

  continue reading

130 episoade

Artwork
iconDistribuie
 
Manage episode 451748458 series 3415878
Content provided by Sebastian Michael. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sebastian Michael or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

With Sonnet 108, William Shakespeare loops back into sentiments expressed intermittently since Sonnet 76, but particularly again recently in Sonnet 105: I have essentially said it all, there is nothing I can do other than repeat and reiterate and rephrase the praises I have sung and continue to sing for you. What it also picks up from Sonnet 105 is the religious tone this set with a there still fairly oblique reference to the Holy Trinity. This was already amplified, though subtly, in Sonnet 106, and here finds a whole new level of what may potentially be perceived as impudence, if looked on from a devoutly religious perspective.
What it also does – and this may in some respects for our observation be most directly relevant – is to tell his young lover yet again that he is showing signs of age, but that to him, Shakespeare, this doesn't matter.

  continue reading

130 episoade

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