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Mendelssohn Symphony No. 4, "Italian"

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Content provided by Joshua Weilerstein. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joshua Weilerstein or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

How does a composer capture the spirit of a country, especially if it's not his native land? Mendelssohn, in his Italian Symphony, gives us one of the best examples of someone doing just that, giving us a tightly integrated, yet highly independent set of 4 snapshots from his travels all over Italy. And yet, despite the piece being called the Italian Symphony and being indelibly associated with the country, the symphony remains a relatively traditional 4 movement German classical symphony. What we hear then is a brilliant amalgamation of a symphony and a tone poem that is among the first of its kind. The symphony tells no story, has no narrative, and yet, when we finish the breathless Tarantella that ends the piece, we feel like we’ve been flicking through a photo album of Felix’s vacation, smiling (mostly) all along the way. Today we’ll talk all about how Mendelssohn builds this symphony and how each movement captures such a distinctive character, while remaining Mendelssohnian to its core - kind, warm-hearted, and full of bubbling energy. Join us!

  continue reading

370 episoade

Artwork
iconDistribuie
 
Manage episode 332355883 series 2391370
Content provided by Joshua Weilerstein. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joshua Weilerstein or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

How does a composer capture the spirit of a country, especially if it's not his native land? Mendelssohn, in his Italian Symphony, gives us one of the best examples of someone doing just that, giving us a tightly integrated, yet highly independent set of 4 snapshots from his travels all over Italy. And yet, despite the piece being called the Italian Symphony and being indelibly associated with the country, the symphony remains a relatively traditional 4 movement German classical symphony. What we hear then is a brilliant amalgamation of a symphony and a tone poem that is among the first of its kind. The symphony tells no story, has no narrative, and yet, when we finish the breathless Tarantella that ends the piece, we feel like we’ve been flicking through a photo album of Felix’s vacation, smiling (mostly) all along the way. Today we’ll talk all about how Mendelssohn builds this symphony and how each movement captures such a distinctive character, while remaining Mendelssohnian to its core - kind, warm-hearted, and full of bubbling energy. Join us!

  continue reading

370 episoade

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