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Medieval Christmas Music

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Manage episode 385885948 series 3482798
Content provided by Radio Nova. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Radio Nova or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In this episode, Ieva Gudaitytė talks to James Tomlinson about Christmas music in late medieval England. The conversation involves aspects of medieval book production and the transmission of polyphony within England and abroad. It introduces music written for the Christmas period and contexts in which these elusive musical survivors might have been performed. They chat about the ephemerality of medieval polyphony, how popular musical settings were worked and reworked over time, and the challenges of working with the paucity of surviving sources.

References:

  • Bowers, Roger. "Obligation, Agency, and Laissez-Faire: The Promotion of Polyphonic Composition for the Church in Fifteenth-Century England." In Iain Fenlon, ed. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts. Cambridge University Press, 1981: 1-19.
  • Harris, Max. Sacred Folly: A New History of the Feast of Fools. Cornell University Press, 2011.
  continue reading

14 episoade

Artwork
iconDistribuie
 
Manage episode 385885948 series 3482798
Content provided by Radio Nova. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Radio Nova or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In this episode, Ieva Gudaitytė talks to James Tomlinson about Christmas music in late medieval England. The conversation involves aspects of medieval book production and the transmission of polyphony within England and abroad. It introduces music written for the Christmas period and contexts in which these elusive musical survivors might have been performed. They chat about the ephemerality of medieval polyphony, how popular musical settings were worked and reworked over time, and the challenges of working with the paucity of surviving sources.

References:

  • Bowers, Roger. "Obligation, Agency, and Laissez-Faire: The Promotion of Polyphonic Composition for the Church in Fifteenth-Century England." In Iain Fenlon, ed. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts. Cambridge University Press, 1981: 1-19.
  • Harris, Max. Sacred Folly: A New History of the Feast of Fools. Cornell University Press, 2011.
  continue reading

14 episoade

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