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From the Archive: St. Vincent’s Seduction

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Manage episode 456205647 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There’s a certain amount of guitar playing that is about pride, that isn’t about the song. . . . I’m not that interested in guitar being a means of poorly covered-up pride.” Her songs are dense, challenging, and not always easy, but catchy and seductive. Remnick caught up with Clark before the launch of her new album, “MASSEDUCTION.” They talked about the clarity of purpose she needed in order to “clear a path” to write the “glamorously sad songs” she’s become known for.

This segment originally aired on October 13, 2017.

  continue reading

938 episoade

Artwork
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Manage episode 456205647 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There’s a certain amount of guitar playing that is about pride, that isn’t about the song. . . . I’m not that interested in guitar being a means of poorly covered-up pride.” Her songs are dense, challenging, and not always easy, but catchy and seductive. Remnick caught up with Clark before the launch of her new album, “MASSEDUCTION.” They talked about the clarity of purpose she needed in order to “clear a path” to write the “glamorously sad songs” she’s become known for.

This segment originally aired on October 13, 2017.

  continue reading

938 episoade

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