In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Oliver Rednall, Charlie Collicutt, Sam Hume, Sam Hume, Oliver Rednall, and Charlie Collicutt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Oliver Rednall, Charlie Collicutt, Sam Hume, Sam Hume, Oliver Rednall, and Charlie Collicutt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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Barnaby Kay - Actor
Manage episode 362253320 series 3336158
Content provided by Oliver Rednall, Charlie Collicutt, Sam Hume, Sam Hume, Oliver Rednall, and Charlie Collicutt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Oliver Rednall, Charlie Collicutt, Sam Hume, Sam Hume, Oliver Rednall, and Charlie Collicutt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Barnaby Kay was born into a theatrical family. His younger brother Adam is in the business, his grandfather, Arthur Kay, was a leading light in community theatre in Northumbria, and his father was the actor Richard Kay.
Barnaby went to drama school but left before completing his course as his father's agent secured him an audition with the Royal Shakespeare Company, which he successfully passed, debuting with them in the play 'A Jovial Crew', and returning to work with them on several occasions.
He has since worked in all media, including television roles in Doctor Who, Wallander, and Anatomy of a Scandal.
Today, he sits down to talk with Crossing the Line all about his successful career which has stretched thirty years.
36 episoade
Distribuie
Manage episode 362253320 series 3336158
Content provided by Oliver Rednall, Charlie Collicutt, Sam Hume, Sam Hume, Oliver Rednall, and Charlie Collicutt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Oliver Rednall, Charlie Collicutt, Sam Hume, Sam Hume, Oliver Rednall, and Charlie Collicutt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Barnaby Kay was born into a theatrical family. His younger brother Adam is in the business, his grandfather, Arthur Kay, was a leading light in community theatre in Northumbria, and his father was the actor Richard Kay.
Barnaby went to drama school but left before completing his course as his father's agent secured him an audition with the Royal Shakespeare Company, which he successfully passed, debuting with them in the play 'A Jovial Crew', and returning to work with them on several occasions.
He has since worked in all media, including television roles in Doctor Who, Wallander, and Anatomy of a Scandal.
Today, he sits down to talk with Crossing the Line all about his successful career which has stretched thirty years.
36 episoade
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Similar cu Crossing the Line
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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