In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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Ep 581: Philippe Mora
Manage episode 430110037 series 2394319
Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
PUBLIC VERSION. Filmmaker Philippe Mora (THE BEAST WITHIN, MAD DOG MORGAN, HOWLING II: …YOUR SISTER IS A WEREWOLF, HOWLING III, COMMUNION) joins Adam, Joe, and Arwen in the ArieScope studio to discuss his long and incredible career. Born in France and raised in Australia, Mora’s artistic journey has been so remarkable that you need to hear it to believe it!
From being the godson of legendary mime performer Marcel Marceau (also known as “Bip the Clown”)… to becoming roommates with a VERY famous rock star who would wind up helping to finance his first feature film… to hiring an actual crazy person to play a crazy person in his debut feature TROUBLE IN MOLOPOLIS (1969)… to how “steak tartare” helped get him his first American directing gig… to the very famous sci-fi costumes that mistakenly showed up on the set of HOWLING II and wound up being used in the film… Mora’s story is one of the most fascinating, hilarious, and inspiring that we’ve heard in over 11 years of this weekly podcast so far. You’re going to absolutely LOVE this conversation!
407 episoade
Distribuie
Manage episode 430110037 series 2394319
Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
PUBLIC VERSION. Filmmaker Philippe Mora (THE BEAST WITHIN, MAD DOG MORGAN, HOWLING II: …YOUR SISTER IS A WEREWOLF, HOWLING III, COMMUNION) joins Adam, Joe, and Arwen in the ArieScope studio to discuss his long and incredible career. Born in France and raised in Australia, Mora’s artistic journey has been so remarkable that you need to hear it to believe it!
From being the godson of legendary mime performer Marcel Marceau (also known as “Bip the Clown”)… to becoming roommates with a VERY famous rock star who would wind up helping to finance his first feature film… to hiring an actual crazy person to play a crazy person in his debut feature TROUBLE IN MOLOPOLIS (1969)… to how “steak tartare” helped get him his first American directing gig… to the very famous sci-fi costumes that mistakenly showed up on the set of HOWLING II and wound up being used in the film… Mora’s story is one of the most fascinating, hilarious, and inspiring that we’ve heard in over 11 years of this weekly podcast so far. You’re going to absolutely LOVE this conversation!
407 episoade
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Similar cu The Movie Crypt
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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