In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 267: Venice 2024: Edo Choi on Pavements, Familiar Touch, Mistress Dispeller, plus Joker 2
Manage episode 438450016 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ep. 267: Venice 2024: Edo Choi on Pavements, Familiar Touch, Mistress Dispeller, Israel Palestine doc, plus Joker 2 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 81st Venice Film Festival is underway, and I’m podcasting from the Lido about the latest movies to screen. This time I chatted with Edo Choi of the Museum of the Moving Image who is writing up a couple of films for Reverse Shot. Titles discussed include: Pavements (directed by Alex Ross Perry), Familiar Touch (Sarah Friedland), Mistress Dispeller (Elizabeth Lo), Israel Palestine on Swedish TV (1958-1989) (Göran Hugo Olsson), and, before we had to run off, a smidgen from me on Joker: Folie à Deux (Todd Phillips). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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303 episoade
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Manage episode 438450016 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ep. 267: Venice 2024: Edo Choi on Pavements, Familiar Touch, Mistress Dispeller, Israel Palestine doc, plus Joker 2 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 81st Venice Film Festival is underway, and I’m podcasting from the Lido about the latest movies to screen. This time I chatted with Edo Choi of the Museum of the Moving Image who is writing up a couple of films for Reverse Shot. Titles discussed include: Pavements (directed by Alex Ross Perry), Familiar Touch (Sarah Friedland), Mistress Dispeller (Elizabeth Lo), Israel Palestine on Swedish TV (1958-1989) (Göran Hugo Olsson), and, before we had to run off, a smidgen from me on Joker: Folie à Deux (Todd Phillips). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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