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HOLLOWAY - Sophie Compton & Daisy-May Hudson on Co-Creating a Trauma-Informed Documentary Feature
Manage episode 449753690 series 1581
Content provided by MarBelle. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MarBelle or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
The next in our series of director interviews from London Film Festival 2024, Sarah caught up with Holloway co-creators Sophie Compton & Daisy-May Hudson who picked up the Audience Award for Best Documentary Feature at LFF and was one of Sarah’s festival favourites. As you’ll hear in their chat, Holloway sees six incredibly brave, former prisoners re-enter the decaying space they were once incarcerated in to reclaim their narratives and give voice to the voiceless women still behind bars, while also prompting us as viewers to examine the purpose of our broken penal system.
Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new films. If you’d like to see your film featured on DN then submit it here.
Find us at:
Instagram
YouTube
Letterboxd
Sign up to the weekly DN newsletter
43 episoade
Distribuie
Manage episode 449753690 series 1581
Content provided by MarBelle. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MarBelle or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
The next in our series of director interviews from London Film Festival 2024, Sarah caught up with Holloway co-creators Sophie Compton & Daisy-May Hudson who picked up the Audience Award for Best Documentary Feature at LFF and was one of Sarah’s festival favourites. As you’ll hear in their chat, Holloway sees six incredibly brave, former prisoners re-enter the decaying space they were once incarcerated in to reclaim their narratives and give voice to the voiceless women still behind bars, while also prompting us as viewers to examine the purpose of our broken penal system.
Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new films. If you’d like to see your film featured on DN then submit it here.
Find us at:
Instagram
YouTube
Letterboxd
Sign up to the weekly DN newsletter
43 episoade
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Similar cu Independent Film Podcast Interviews
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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…
continue reading
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…
continue reading
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continue reading
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