Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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What Makes a "Good" Cue?
Manage episode 435511341 series 3311554
Content provided by Dave Kropf. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dave Kropf or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In this episode, Dave unpacks the essential elements that make a cue truly stand out in the competitive world of production music. He explores the often-overlooked qualities that can elevate one cue above another and the fundamental components that every professional cue must have.
Watch this episode on YouTube
https://youtu.be/_y3L1FBkCj4
Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!
https://productionmusictools.com/products/bowed-cymbals-by-52-cues
Join the 52 Cues Community! – https://my.52cues.com
It's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!
Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.
One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!
Note: Links may be affiliate links which generate a small commission but at no extra cost to you!
222 episoade
Distribuie
Manage episode 435511341 series 3311554
Content provided by Dave Kropf. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dave Kropf or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In this episode, Dave unpacks the essential elements that make a cue truly stand out in the competitive world of production music. He explores the often-overlooked qualities that can elevate one cue above another and the fundamental components that every professional cue must have.
Watch this episode on YouTube
https://youtu.be/_y3L1FBkCj4
Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!
https://productionmusictools.com/products/bowed-cymbals-by-52-cues
Join the 52 Cues Community! – https://my.52cues.com
It's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!
Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.
One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!
Note: Links may be affiliate links which generate a small commission but at no extra cost to you!
222 episoade
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Similar cu 52 Cues - A Production Music Podcast
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
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continue reading
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