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A Damn Fine Espresso: July 2022

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Content provided by A Damn Fine Cup of Culture. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by A Damn Fine Cup of Culture or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

A Damn Fine Cup of Culture has talked about musicals before – but this month’s espresso is a special treat: Alan has seen the production of Cabaret that is currently being shown at the Playhouse Theatre in London. He and Julie talk about the production and how it compares to Christopher Isherwood’s original stories that Cabaret is based on, as well as the 1972 film by Bob Fosse, featuring Liza Minelli in her iconic turn as Sally Bowles. How do the various production choices change the characters and the overall depiction of Berlin during the Weimar Republic? And, obviously, what are Alan’s thoughts on the stage production: is this time jump to 1929 Berlin worth taking if you happen to find yourself in London?

You can also download the podcast at the following link:

A Damn Fine Espresso: July 2022

  continue reading

98 episoade

Artwork
iconDistribuie
 
Manage episode 334562304 series 3042954
Content provided by A Damn Fine Cup of Culture. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by A Damn Fine Cup of Culture or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

A Damn Fine Cup of Culture has talked about musicals before – but this month’s espresso is a special treat: Alan has seen the production of Cabaret that is currently being shown at the Playhouse Theatre in London. He and Julie talk about the production and how it compares to Christopher Isherwood’s original stories that Cabaret is based on, as well as the 1972 film by Bob Fosse, featuring Liza Minelli in her iconic turn as Sally Bowles. How do the various production choices change the characters and the overall depiction of Berlin during the Weimar Republic? And, obviously, what are Alan’s thoughts on the stage production: is this time jump to 1929 Berlin worth taking if you happen to find yourself in London?

You can also download the podcast at the following link:

A Damn Fine Espresso: July 2022

  continue reading

98 episoade

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