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Kayhan Kalhor, Master of Persian Music and the Kamancheh
Manage episode 166350172 series 124281
Content provided by Hugh Sung. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hugh Sung or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Kayhan Kalhor is one of the greatest living masters of the Kamancheh, a 3 or 4 stringed Persian spiked fiddle and ancient predecessor to the modern cello. Kayhan performs around the world extensively as a soloist and collaborator with a wide variety of musicians, including Yo-Yo Ma and the Silk Road ensemble.
The kamancheh is an incredibly soulful, deeply expressive instrument that can sound like the human voice or a woodwind instrument in the right hands. Talking with Kayhan gave me a wonderful opportunity to explore the world of Persian classical music, a field that is completely new to me, with an outside perspective that I imagine might be similar to someone who doesn’t know anything about Western classical music. What should I be listening for? What are the elements helpful to understand so that I can gain a deeper appreciation for the beautiful sounds I hear?
LinksKayhan's website: http://www.kayhankalhor.net/
Silk Road Project: https://www.silkroadproject.org/
72 episoade
Distribuie
Manage episode 166350172 series 124281
Content provided by Hugh Sung. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hugh Sung or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Kayhan Kalhor is one of the greatest living masters of the Kamancheh, a 3 or 4 stringed Persian spiked fiddle and ancient predecessor to the modern cello. Kayhan performs around the world extensively as a soloist and collaborator with a wide variety of musicians, including Yo-Yo Ma and the Silk Road ensemble.
The kamancheh is an incredibly soulful, deeply expressive instrument that can sound like the human voice or a woodwind instrument in the right hands. Talking with Kayhan gave me a wonderful opportunity to explore the world of Persian classical music, a field that is completely new to me, with an outside perspective that I imagine might be similar to someone who doesn’t know anything about Western classical music. What should I be listening for? What are the elements helpful to understand so that I can gain a deeper appreciation for the beautiful sounds I hear?
LinksKayhan's website: http://www.kayhankalhor.net/
Silk Road Project: https://www.silkroadproject.org/
72 episoade
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Similar cu A Musical Life with Hugh Sung
An independent radio station from Tel Aviv. For music lovers by music lovers.
…
continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Rock and Roll
…
continue reading
Since launching in 2000, All Songs Considered has been NPR's flagship program for music discovery, artist interviews and conversations with friends and fellow music lovers about the really big questions, like what was the best decade for music, are there albums everyone can agree on, and what do you put on when you need a good cry? Weekly, with host Robin Hilton and the NPR Music family.
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continue reading
The Sounds in My Head is a biweekly music show featuring songs and bands you might have missed. Hosted by Daniel since 2004. Musically The Sounds in My Head attempts to be fairly eclectic, but probably tends to lean towards "indie pop" music. Also, I try to squeeze in as much left-wing propaganda as possible between tracks.
…
continue reading
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…
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continue reading
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…
continue reading
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