Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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I TOO SING AMERICA SERIES: Rising Opera Star Bass Soloman Howard
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Manage episode 157299177 series 1217544
Content provided by Patrick D McCoy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Patrick D McCoy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Soloman Howard joins the show to speak about his trajectory in the arena of opera. The Morgan University and Manhattan School of Music graduate is currently one of Washington National Opera's rising stars and is set to make his Metropolitan Opera debut this fall! Currently a member of Washington National Opera’s Domingo-Cafritz Young Artist Program,a program of the John F. Kennedy Center for the Performing Arts, Soloman Howard is garnering superlatives from the press for his vivid performances on the opera and concert stages. His voice is called “sonorous” by TheNew York Times, “superhuman” by The Denver Post, and “spectacular” by Maryland Theatre Guide. Performances of the 2013-14 season include Sarastro in The Magic Flute conducted by Washington National Opera’s Music Director Philippe Auguin, Moser in Verdi’s I Masnadieri with Washington Concert Opera led by Music Director Antony Walker, Mendelssohn’s Die erste Walpurgisnacht at Carnegie Hall with Kent Tritle and the Oratorio Society of New York, and a role debut as Colline in La bohème with North Carolina Opera conducted by Robert Moody. Read more
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81 episoade
MP3•Pagina episodului
Manage episode 157299177 series 1217544
Content provided by Patrick D McCoy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Patrick D McCoy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Soloman Howard joins the show to speak about his trajectory in the arena of opera. The Morgan University and Manhattan School of Music graduate is currently one of Washington National Opera's rising stars and is set to make his Metropolitan Opera debut this fall! Currently a member of Washington National Opera’s Domingo-Cafritz Young Artist Program,a program of the John F. Kennedy Center for the Performing Arts, Soloman Howard is garnering superlatives from the press for his vivid performances on the opera and concert stages. His voice is called “sonorous” by TheNew York Times, “superhuman” by The Denver Post, and “spectacular” by Maryland Theatre Guide. Performances of the 2013-14 season include Sarastro in The Magic Flute conducted by Washington National Opera’s Music Director Philippe Auguin, Moser in Verdi’s I Masnadieri with Washington Concert Opera led by Music Director Antony Walker, Mendelssohn’s Die erste Walpurgisnacht at Carnegie Hall with Kent Tritle and the Oratorio Society of New York, and a role debut as Colline in La bohème with North Carolina Opera conducted by Robert Moody. Read more
…
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