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Hammerstein's Opera House, Part Two

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Content provided by Peter Schmitz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Peter Schmitz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

February 1909: The opera "Salome" at Oscar Hammerstein's new Philadelphia Opera House needed to be stopped, as a matter of public decency, declared hundreds of clergymen and civic leaders.

Meanwhile, the impresario himself was threatening to take his newly-founded opera company back to New York, and set up the enormous theater as a vaudeville house instead! What was going on?
This is the second part of three-part series on the impresario Oscar Hammerstein and his venture into the Philadelphia theater world. For additional images and information, see the blog post on our website: https://www.aithpodcast.com/blog/salome-was-a-dancer/
While you're looking at our website, check out all our recent episodes! For an exciting season about Philadelphia's "Theatre History" or its "Theater History" - however you spell it, this is the podcast for you. https://www.aithpodcast.com/
If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here - especially if you listen to us ON APPLE PODCASTS! We need some more reviews there:
https://www.aithpodcast.com/reviews/
If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.com
Instagram: https://www.instagram.com/aithpodcast/
Facebook: https://www.facebook.com/AITHpodcast
Mastodon: https://historians.social/@schmeterpitz
To become a Patron of the podcast: https://www.patreon.com/AITHpodcast

Send us a Text Message.

Support the Show.


© Podcast text copyright, Peter Schmitz. All rights reserved.

℗ All voice recordings copyright Peter Schmitz.

℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.

  continue reading

75 episoade

Artwork
iconDistribuie
 
Manage episode 354991002 series 2899444
Content provided by Peter Schmitz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Peter Schmitz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

February 1909: The opera "Salome" at Oscar Hammerstein's new Philadelphia Opera House needed to be stopped, as a matter of public decency, declared hundreds of clergymen and civic leaders.

Meanwhile, the impresario himself was threatening to take his newly-founded opera company back to New York, and set up the enormous theater as a vaudeville house instead! What was going on?
This is the second part of three-part series on the impresario Oscar Hammerstein and his venture into the Philadelphia theater world. For additional images and information, see the blog post on our website: https://www.aithpodcast.com/blog/salome-was-a-dancer/
While you're looking at our website, check out all our recent episodes! For an exciting season about Philadelphia's "Theatre History" or its "Theater History" - however you spell it, this is the podcast for you. https://www.aithpodcast.com/
If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here - especially if you listen to us ON APPLE PODCASTS! We need some more reviews there:
https://www.aithpodcast.com/reviews/
If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.com
Instagram: https://www.instagram.com/aithpodcast/
Facebook: https://www.facebook.com/AITHpodcast
Mastodon: https://historians.social/@schmeterpitz
To become a Patron of the podcast: https://www.patreon.com/AITHpodcast

Send us a Text Message.

Support the Show.


© Podcast text copyright, Peter Schmitz. All rights reserved.

℗ All voice recordings copyright Peter Schmitz.

℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.

  continue reading

75 episoade

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