In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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WE GROWN NOW
Manage episode 419812451 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Today on Art of the Cut we speak with a familiar guest of the podcast and also we get the unique opportunity to speak with the director of the film, We Grown Now.
Editor Stephanie Filo, ACE, has been on Art of the Cut to talk about her Emmy and ACE-winning work on A Black Lady Sketch Show and about her Emmy-nominated work on Dahmer: Monster - the Jeffrey Dahmer Story and History of the World Part II. Stephanie has also won an Emmy and a Peabody Award for her documentary editing work, and was nominated for an Independent Spirit Award for her work on We Grown Now.
Minhal wrote and directed We Grown Now for which she won the Toronto International Film Festival's Changemaker award, and was nominated for Best Feature for an Independent Spirit Award. She also wrote and directed her previous feature, Hala which was nominated for the Grand Jury Prize at Sundance.
Be sure to follow along with this podcast on our blog at
borisfx.com/blog/aotc, which has lots of great visuals including timeline screenshots and exclusive photos from post.
124 episoade
Distribuie
Manage episode 419812451 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Today on Art of the Cut we speak with a familiar guest of the podcast and also we get the unique opportunity to speak with the director of the film, We Grown Now.
Editor Stephanie Filo, ACE, has been on Art of the Cut to talk about her Emmy and ACE-winning work on A Black Lady Sketch Show and about her Emmy-nominated work on Dahmer: Monster - the Jeffrey Dahmer Story and History of the World Part II. Stephanie has also won an Emmy and a Peabody Award for her documentary editing work, and was nominated for an Independent Spirit Award for her work on We Grown Now.
Minhal wrote and directed We Grown Now for which she won the Toronto International Film Festival's Changemaker award, and was nominated for Best Feature for an Independent Spirit Award. She also wrote and directed her previous feature, Hala which was nominated for the Grand Jury Prize at Sundance.
Be sure to follow along with this podcast on our blog at
borisfx.com/blog/aotc, which has lots of great visuals including timeline screenshots and exclusive photos from post.
124 episoade
Minden epizód
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Similar cu Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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