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Episode 29: The Film Music of Nick Cave & Warren Ellis

 
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Manage episode 246977938 series 1383295
Content provided by Nicholas Buc, Andrew Pogson, and Dan Golding. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicholas Buc, Andrew Pogson, and Dan Golding or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Episode 29 marks Art of the Score’s first ever live episode, recorded in August at the Melbourne International Film Festival. Exploring the film music of Nick Cave and Warren Ellis (The Proposition, The Assassination of Jesse James by the Coward Robert Ford, and The Road), the live talk also preluded a concert later that week where the Melbourne Symphony Orchestra played Cave and Ellis’s music as arranged by our very own Nicholas Buc. Join us for a very special live episode as we try and find out what makes the film music of Cave and Ellis so good. Episode notes: 0:54 – A very special live episode 5:27 – The Nick Cave and Warren Ellis sound 6:26 – Alice Wading 7:58 – A band process for film music 10:34 – The Proposition 12:41 – The meat pie western 14:05 – The drone, the voice, the piano 18:05 – Nick’s singing (The Rider) 21:11 – Martha’s Dream 22:55 – The Cave Waltz 26:38 – The Rider Song 29:20 – The Assassination of Jesse James 31:26 – The celeste 35:14 – A Rather Lovely Thing 37:17 – An arresting chord progression 39:45 – The Assassination lullaby 41:54 – Song for Bob 45:14 – The Road 49:35 – The Mother 52:09 – The Far Road 54:49 – The House 58:07 – The ray of hope 59:49 – The Ellis Cave DNA We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
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36 episoade

Artwork
iconDistribuie
 
Manage episode 246977938 series 1383295
Content provided by Nicholas Buc, Andrew Pogson, and Dan Golding. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicholas Buc, Andrew Pogson, and Dan Golding or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Episode 29 marks Art of the Score’s first ever live episode, recorded in August at the Melbourne International Film Festival. Exploring the film music of Nick Cave and Warren Ellis (The Proposition, The Assassination of Jesse James by the Coward Robert Ford, and The Road), the live talk also preluded a concert later that week where the Melbourne Symphony Orchestra played Cave and Ellis’s music as arranged by our very own Nicholas Buc. Join us for a very special live episode as we try and find out what makes the film music of Cave and Ellis so good. Episode notes: 0:54 – A very special live episode 5:27 – The Nick Cave and Warren Ellis sound 6:26 – Alice Wading 7:58 – A band process for film music 10:34 – The Proposition 12:41 – The meat pie western 14:05 – The drone, the voice, the piano 18:05 – Nick’s singing (The Rider) 21:11 – Martha’s Dream 22:55 – The Cave Waltz 26:38 – The Rider Song 29:20 – The Assassination of Jesse James 31:26 – The celeste 35:14 – A Rather Lovely Thing 37:17 – An arresting chord progression 39:45 – The Assassination lullaby 41:54 – Song for Bob 45:14 – The Road 49:35 – The Mother 52:09 – The Far Road 54:49 – The House 58:07 – The ray of hope 59:49 – The Ellis Cave DNA We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
  continue reading

36 episoade

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