In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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1975: The #1 Film of All Time: JEANNE DIELMAN
Manage episode 354600618 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Coming in at No. 1 on the British Film Institute's recently released Greatest Films of All Time poll was "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975), directed by Chantal Ackerman.
Never seen the film? You're not alone. Its placement at the top of the charts was a surprise to many, which made it the perfect place for Mike and Brian to kick off their international cinema blindspotting miniseries.
In this episode, they discuss whether or not mundanity can be a form of awakening and what tedium teaches us about marginalized groups; they debate the film's style and ending; talk agency vs. victimhood; then dig into where "Jeanne Dielman" might palce in their own "greatest films of all time" lists.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episoade
Distribuie
Manage episode 354600618 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Coming in at No. 1 on the British Film Institute's recently released Greatest Films of All Time poll was "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975), directed by Chantal Ackerman.
Never seen the film? You're not alone. Its placement at the top of the charts was a surprise to many, which made it the perfect place for Mike and Brian to kick off their international cinema blindspotting miniseries.
In this episode, they discuss whether or not mundanity can be a form of awakening and what tedium teaches us about marginalized groups; they debate the film's style and ending; talk agency vs. victimhood; then dig into where "Jeanne Dielman" might palce in their own "greatest films of all time" lists.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episoade
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Similar cu Best Picture This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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