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Sound Bath 050- Emma & Vicky

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Manage episode 403321261 series 3379988
Content provided by Bivouac Recording and Terence LLoren. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bivouac Recording and Terence LLoren or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
While I like to record all the tracks at once for efficiency, spacing out the recordings can create a more varied performance. Emma and Vicky could only record once track a month but each recording had a clear concept form the last one. In this one, Emma used the rain hoop and ocean drum during the piece while Vicky played the bowls in the background. This was unique because, the bowls usually take precedence in the session. This is also an example of how great having another pair of hands can really make each session unique.
  continue reading

1022 episoade

Artwork
iconDistribuie
 
Manage episode 403321261 series 3379988
Content provided by Bivouac Recording and Terence LLoren. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bivouac Recording and Terence LLoren or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
While I like to record all the tracks at once for efficiency, spacing out the recordings can create a more varied performance. Emma and Vicky could only record once track a month but each recording had a clear concept form the last one. In this one, Emma used the rain hoop and ocean drum during the piece while Vicky played the bowls in the background. This was unique because, the bowls usually take precedence in the session. This is also an example of how great having another pair of hands can really make each session unique.
  continue reading

1022 episoade

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