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《柏覽會離題|Paonorama》四月特別企劃:跨越認同的自我追尋X我所起舞的地方(feat. 周書毅)

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Manage episode 411179807 series 2958527
Content provided by 蔡柏(Pao). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by 蔡柏(Pao) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

四月份特別企劃特別邀請到舞蹈圈的好友,舞蹈精靈(硬要講)周書毅來到節目現場,而且是真的吉森現場喔!機會實在是太難得了,推廣書毅新作《我所起舞的地方》之餘,也閒話家常了一翻,歡迎大家五月初到衛武營欣賞這個作品喔,柏覽會離題的聽眾朋友有專屬優惠購票代碼,詳細資料如下:
《柏覽會離題|Paonorama》聽眾專屬優惠:
選取票價及座位後,下拉折扣選項選取【推廣合作夥伴優惠代碼85折】方案
輸入優惠代碼【dance003】,即可享《我所起舞的地方》購票85折優惠優惠
本集精彩內容:

  • 書毅首次蒞臨吉森跟胖子的家,他的第一印象是什麼哩?
  • 奧運期間第一次拜訪中國,書毅見證到「衣著教學」的奇觀?
  • 從中國、香港、澳門、馬來西亞⋯⋯到新加坡,這五六年來的累積,引發創作的欲望及提問?
  • 兩岸之間的關係,對於創作者造成的影響究竟為何?
  • 語言的消逝如何影響該舞作的脈絡哩?
  • 才來德國一週的書毅,是否也感受到『德鐵』的威力呢?
  • 數年高雄耕耘下來, 免費演出有真的培養出一群有購票習慣的觀眾嗎?
  • 現代舞是食物界的酪梨?到底是三小?
  • 九位舞者(五位新加坡+四位台灣)如何將移居經驗帶入這場舞作?
  • 身為台灣藝術表演工作者前往中國巡迴的必經難題:如何面對『中國台灣』這個名號?

《我所起舞的地方》演出訊息:https://www.npac-weiwuying.org/programs/65388d2b6baf5900081202e2
《我所起舞的地方》宣傳影片:https://www.youtube.com/watch?v=8bpVLLvAriM
喝咖啡囉: https://open.firstory.me/user/ckf5j79hs4dxr0897jurz4pf8
留言告訴我你對這一集的想法: https://open.firstory.me/user/ckf5j79hs4dxr0897jurz4pf8/comments


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74 episoade

Artwork
iconDistribuie
 
Manage episode 411179807 series 2958527
Content provided by 蔡柏(Pao). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by 蔡柏(Pao) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

四月份特別企劃特別邀請到舞蹈圈的好友,舞蹈精靈(硬要講)周書毅來到節目現場,而且是真的吉森現場喔!機會實在是太難得了,推廣書毅新作《我所起舞的地方》之餘,也閒話家常了一翻,歡迎大家五月初到衛武營欣賞這個作品喔,柏覽會離題的聽眾朋友有專屬優惠購票代碼,詳細資料如下:
《柏覽會離題|Paonorama》聽眾專屬優惠:
選取票價及座位後,下拉折扣選項選取【推廣合作夥伴優惠代碼85折】方案
輸入優惠代碼【dance003】,即可享《我所起舞的地方》購票85折優惠優惠
本集精彩內容:

  • 書毅首次蒞臨吉森跟胖子的家,他的第一印象是什麼哩?
  • 奧運期間第一次拜訪中國,書毅見證到「衣著教學」的奇觀?
  • 從中國、香港、澳門、馬來西亞⋯⋯到新加坡,這五六年來的累積,引發創作的欲望及提問?
  • 兩岸之間的關係,對於創作者造成的影響究竟為何?
  • 語言的消逝如何影響該舞作的脈絡哩?
  • 才來德國一週的書毅,是否也感受到『德鐵』的威力呢?
  • 數年高雄耕耘下來, 免費演出有真的培養出一群有購票習慣的觀眾嗎?
  • 現代舞是食物界的酪梨?到底是三小?
  • 九位舞者(五位新加坡+四位台灣)如何將移居經驗帶入這場舞作?
  • 身為台灣藝術表演工作者前往中國巡迴的必經難題:如何面對『中國台灣』這個名號?

《我所起舞的地方》演出訊息:https://www.npac-weiwuying.org/programs/65388d2b6baf5900081202e2
《我所起舞的地方》宣傳影片:https://www.youtube.com/watch?v=8bpVLLvAriM
喝咖啡囉: https://open.firstory.me/user/ckf5j79hs4dxr0897jurz4pf8
留言告訴我你對這一集的想法: https://open.firstory.me/user/ckf5j79hs4dxr0897jurz4pf8/comments


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  continue reading

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