Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
…
continue reading
Content provided by Bobby Owsinski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bobby Owsinski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Player FM - Aplicație Podcast
Treceți offline cu aplicația Player FM !
Treceți offline cu aplicația Player FM !
Episode 512 – Film Scoring Mixer Alan Meyerson, Possible TikTok Ban, And The Caesar’s Console
MP3•Pagina episodului
Manage episode 411759287 series 2438962
Content provided by Bobby Owsinski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bobby Owsinski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
My guest this week is engineer Alan Meyerson, who many believe is the top scoring mixer in film today. With more than 200 credits, Alan has worked with leading film score composers like James Newton Howard, John Powell, Harry Gregson-Williams, and Danny Elfman, and has a particularly long-standing working relationship with the great Hans Zimmer that continues to this day. Alan’s credits as a scoring mixer include blockbuster movies like Man of Steel, Iron Man, the Pirates of the Caribbean series, Sherlock Holmes: A Game of Shadows, Inception, The Dark Knight, Kung-Fu Panda 1 & 2, Despicable Me 1 & 2, The Last Samurai, Gladiator, and Hannibal. In addition to this, he also has a number of music mixing credits that include Bryan Ferry, New Order, Etta James, and OMD. During our interview, Alan told me about being a part of the first wave of dance music, making the transition to film work, his approach to orchestral recording, why he isn’t into vintage microphones, how he tailors his reverbs, dealing with 750 tracks of orchestra, his adventures at Abbey Road, and much more. I spoke with Alan from his studio in Los Angeles. On the intro I looked at the possible TikTok ban in the United States, and the Caesar’s Palace console finds a new home with UA. var podscribeEmbedVars = { epId: 97908956, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
…
continue reading
551 episoade
MP3•Pagina episodului
Manage episode 411759287 series 2438962
Content provided by Bobby Owsinski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bobby Owsinski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
My guest this week is engineer Alan Meyerson, who many believe is the top scoring mixer in film today. With more than 200 credits, Alan has worked with leading film score composers like James Newton Howard, John Powell, Harry Gregson-Williams, and Danny Elfman, and has a particularly long-standing working relationship with the great Hans Zimmer that continues to this day. Alan’s credits as a scoring mixer include blockbuster movies like Man of Steel, Iron Man, the Pirates of the Caribbean series, Sherlock Holmes: A Game of Shadows, Inception, The Dark Knight, Kung-Fu Panda 1 & 2, Despicable Me 1 & 2, The Last Samurai, Gladiator, and Hannibal. In addition to this, he also has a number of music mixing credits that include Bryan Ferry, New Order, Etta James, and OMD. During our interview, Alan told me about being a part of the first wave of dance music, making the transition to film work, his approach to orchestral recording, why he isn’t into vintage microphones, how he tailors his reverbs, dealing with 750 tracks of orchestra, his adventures at Abbey Road, and much more. I spoke with Alan from his studio in Los Angeles. On the intro I looked at the possible TikTok ban in the United States, and the Caesar’s Palace console finds a new home with UA. var podscribeEmbedVars = { epId: 97908956, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
…
continue reading
551 episoade
Toate episoadele
×Bun venit la Player FM!
Player FM scanează web-ul pentru podcast-uri de înaltă calitate pentru a vă putea bucura acum. Este cea mai bună aplicație pentru podcast și funcționează pe Android, iPhone și pe web. Înscrieți-vă pentru a sincroniza abonamentele pe toate dispozitivele.