In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Cannes I Kick It. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cannes I Kick It or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
TIFF has ended, the awards have been handed out, and we're still decompressing, with even more to come. This week we discuss the Venice Awards, the TIFF Prizes, and Andy and Jesse go in-depth on the remaining films they both have a take on: Miguel Gomes' GRAND TOUR, Luca Guadagnino's QUEER, Joshua Oppenheimer's THE END, and Steven Soderbergh's PRESENCE.
Our twitter is @CannesIKickIt
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Enjoying the show? Feel free to send a few bucks our way on Ko-fi.
Thanks to Tree Related for our theme song
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264 episoade
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Manage episode 440845337 series 2602549
Content provided by Cannes I Kick It. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cannes I Kick It or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
TIFF has ended, the awards have been handed out, and we're still decompressing, with even more to come. This week we discuss the Venice Awards, the TIFF Prizes, and Andy and Jesse go in-depth on the remaining films they both have a take on: Miguel Gomes' GRAND TOUR, Luca Guadagnino's QUEER, Joshua Oppenheimer's THE END, and Steven Soderbergh's PRESENCE.
Our twitter is @CannesIKickIt
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264 episoade
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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