In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by IGN Podcast Network, CINEFIX, and Clint Gage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IGN Podcast Network, CINEFIX, and Clint Gage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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Ikiru Isn’t The First Kurosawa You Think Of (But Maybe It Should Be) | CineFix Top 100
Manage episode 442640237 series 3489183
Content provided by IGN Podcast Network, CINEFIX, and Clint Gage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IGN Podcast Network, CINEFIX, and Clint Gage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ikiru, Akira Kurosawa ‘gem’ from 1952, follows a dying bureaucrat searching for something of value in his life before succumbing to cancer. At times both tremendously sad and undeniably life-affirming, Ikiru is critical of the system of meaningless admin work and the people who populate it. Clint, Cal and Alex sift through mountains of paperwork to discuss subtle camera moves in emotional megamontages, the intricate and invisible blocking that sets Kurosawa apart and the best Frank Capra movie that he never made.
Meanwhile, Dan’s algorithm is absolutely WRECKING the vibe in this bar with its rendition of Gondola No Uta.
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
CineFix Top 100 is available on all your podcast networks including:
Spotify https://open.spotify.com/show/02lznfKZ2gCnBwFoTgKlYr
Apple Podcasts https://podcasts.apple.com/us/podcast/cinefix-top-100/id1693413490
Amazon Music https://music.amazon.com/podcasts/80256cff-2174-4d69-a9c7-8b565e96e39b
Learn more about your ad choices. Visit megaphone.fm/adchoices
46 episoade
Distribuie
Manage episode 442640237 series 3489183
Content provided by IGN Podcast Network, CINEFIX, and Clint Gage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IGN Podcast Network, CINEFIX, and Clint Gage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ikiru, Akira Kurosawa ‘gem’ from 1952, follows a dying bureaucrat searching for something of value in his life before succumbing to cancer. At times both tremendously sad and undeniably life-affirming, Ikiru is critical of the system of meaningless admin work and the people who populate it. Clint, Cal and Alex sift through mountains of paperwork to discuss subtle camera moves in emotional megamontages, the intricate and invisible blocking that sets Kurosawa apart and the best Frank Capra movie that he never made.
Meanwhile, Dan’s algorithm is absolutely WRECKING the vibe in this bar with its rendition of Gondola No Uta.
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
CineFix Top 100 is available on all your podcast networks including:
Spotify https://open.spotify.com/show/02lznfKZ2gCnBwFoTgKlYr
Apple Podcasts https://podcasts.apple.com/us/podcast/cinefix-top-100/id1693413490
Amazon Music https://music.amazon.com/podcasts/80256cff-2174-4d69-a9c7-8b565e96e39b
Learn more about your ad choices. Visit megaphone.fm/adchoices
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Similar cu CineFix Top 100
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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