In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Princess Mononoke Is Beautiful, But Does It Have Rizz? | CineFix Top 100
Manage episode 408566780 series 3489183
Content provided by IGN Podcast Network, CINEFIX, and Clint Gage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IGN Podcast Network, CINEFIX, and Clint Gage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
“You cannot change your fate. However, you can rise to meet it, if you so choose.”
Hayao Miyazaki dropped one of his several masterpieces in 1997 with Princess Mononoke. Depicting the battle between Iron Town and ancient Gods of the forest, the film is a gorgeously animated adventure that paints it’s themes vividly front and center. Clint, Cal and Alex talk about where it fits in Miyazaki’s body of work, how James Cameron being a fan makes them feel about the movie, samurai swords in the mail and whether or not Prince Ashitaka has enough rizz to carry the movie.
Meanwhile, Dan’s algorithm plots to kill a god, by getting somebody else to do its dirty work.
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
37 episoade
Distribuie
Manage episode 408566780 series 3489183
Content provided by IGN Podcast Network, CINEFIX, and Clint Gage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IGN Podcast Network, CINEFIX, and Clint Gage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
“You cannot change your fate. However, you can rise to meet it, if you so choose.”
Hayao Miyazaki dropped one of his several masterpieces in 1997 with Princess Mononoke. Depicting the battle between Iron Town and ancient Gods of the forest, the film is a gorgeously animated adventure that paints it’s themes vividly front and center. Clint, Cal and Alex talk about where it fits in Miyazaki’s body of work, how James Cameron being a fan makes them feel about the movie, samurai swords in the mail and whether or not Prince Ashitaka has enough rizz to carry the movie.
Meanwhile, Dan’s algorithm plots to kill a god, by getting somebody else to do its dirty work.
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
37 episoade
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Similar cu CineFix Top 100
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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