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Content provided by CIRCUIT CAST. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CIRCUIT CAST or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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Episode 100: Yona Lee, Gavin Hipkins, Amy Howden-Chapman

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Manage episode 301935118 series 1333770
Content provided by CIRCUIT CAST. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CIRCUIT CAST or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In this edition of CIRCUIT Cast host Thomasin Sleigh meets artists Yona Lee, Amy Howden-Chapman and Gavin Hipkins. The advent of the pandemic has seen a rush of material going online. While this has created opportunities for artists and audiences, all sculptural conditions for the moving image are now flattened by the browser and computer speakers. How do we feel about these new conditions for exhibition and viewing? What challenges and opportunities do they represent for artists and how are they affecting practice?
  continue reading

128 episoade

Artwork
iconDistribuie
 
Manage episode 301935118 series 1333770
Content provided by CIRCUIT CAST. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CIRCUIT CAST or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In this edition of CIRCUIT Cast host Thomasin Sleigh meets artists Yona Lee, Amy Howden-Chapman and Gavin Hipkins. The advent of the pandemic has seen a rush of material going online. While this has created opportunities for artists and audiences, all sculptural conditions for the moving image are now flattened by the browser and computer speakers. How do we feel about these new conditions for exhibition and viewing? What challenges and opportunities do they represent for artists and how are they affecting practice?
  continue reading

128 episoade

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