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Episode 20: Ian Vertovec

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Content provided by Josh Petok. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Josh Petok or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

This episode is sponsored by Colorist Society International and Mixinglight.com.

On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.

Ian has colored major films “The Social Network,” “The Girl with the Dragon Tattoo,” and “Ender’s Game.” And more recently, he has colored the TV shows “Baskets” for FX and “Glow” on Netflix.

Originally from Chicago, Ian focused on photography, then moved on to digital compositing. He later co-founded two post facilities in Los Angeles: Plaster City, then Light Iron. Out of necessity, he moved on to color at his company. He found his combination of photography and compositing matched perfectly for a career as a colorist.

In this podcast, we talk about:

  • Coloring David Fincher films and working with extremely dark images
  • The challenges of working on VFX heavy projects
  • Making HDR look both cinematic and realistic
  • Advantages of working with high-end systems like Quantel Pablo
  • The difference between working on TV and films
  • How experience with compositing served him as a colorist
  • Bringing life to images using texture
  • Using film emulation LUTs in his workflow
  • Comparing different cameras as a colorist
  • Using ACES in a color managed workflow
  • Keeping grades simple, clean, and efficient

Ian Vertovec - IMDb

Light Iron

This episode is sponsored by:

Colorist Society International

For more information on how you can become a member, visit www.coloristsociety.com.

Mixinglight.com

Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

  continue reading

23 episoade

Artwork

Episode 20: Ian Vertovec

Colorist Podcast

21 subscribers

published

iconDistribuie
 
Manage episode 196026613 series 1026366
Content provided by Josh Petok. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Josh Petok or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

This episode is sponsored by Colorist Society International and Mixinglight.com.

On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.

Ian has colored major films “The Social Network,” “The Girl with the Dragon Tattoo,” and “Ender’s Game.” And more recently, he has colored the TV shows “Baskets” for FX and “Glow” on Netflix.

Originally from Chicago, Ian focused on photography, then moved on to digital compositing. He later co-founded two post facilities in Los Angeles: Plaster City, then Light Iron. Out of necessity, he moved on to color at his company. He found his combination of photography and compositing matched perfectly for a career as a colorist.

In this podcast, we talk about:

  • Coloring David Fincher films and working with extremely dark images
  • The challenges of working on VFX heavy projects
  • Making HDR look both cinematic and realistic
  • Advantages of working with high-end systems like Quantel Pablo
  • The difference between working on TV and films
  • How experience with compositing served him as a colorist
  • Bringing life to images using texture
  • Using film emulation LUTs in his workflow
  • Comparing different cameras as a colorist
  • Using ACES in a color managed workflow
  • Keeping grades simple, clean, and efficient

Ian Vertovec - IMDb

Light Iron

This episode is sponsored by:

Colorist Society International

For more information on how you can become a member, visit www.coloristsociety.com.

Mixinglight.com

Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

  continue reading

23 episoade

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