Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Stomping with David Schiff
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Manage episode 449032302 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Synopsis
Okay, here’s a cocktail party question for music fans: “What do James Brown — the master of funk — and Soviet symphonic composer Dmitri Shostakovich have in common?”
The answer is Stomp, a piece by Seattle-based composer David Schiff that premiered on today’s date in 1990 at Alice Tully Hall in New York City at a concert by Marin Alsop’s Concordia orchestra.
For starters, on the score of Stomp, Schiff includes a reference to James Brown’s music, instructing the players, “Every instrument is treated like a drum.” Also, during its opening, there’s a staccato rhythm based on Brown’s iconic tune, “I Feel Good.”
And the Shostakovich connection? Well, Schiff confesses to modeling Stomp on the opening movement of that composer’s Symphony No. 9, right down to a strict imitation of Shostakovich’s repeat of the exposition, in sonata-form style.
On the origin and subsequent use of Stomp, Schiff said, “Marin Alsop conducted one of my pieces at Tanglewood in 1988 and later asked me for a new orchestral piece for her Concordia orchestra; since then, Stomp has since been played by many orchestras including the L.A. Philharmonic, who took it to high schools to demonstrate that classical music could be really loud.”
Music Played in Today's Program
David Schiff (b. 1945): Stomp; Baltimore Sym; David Zinman, conductor; Argo 444 454-2
96 episoade
MP3•Pagina episodului
Manage episode 449032302 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Synopsis
Okay, here’s a cocktail party question for music fans: “What do James Brown — the master of funk — and Soviet symphonic composer Dmitri Shostakovich have in common?”
The answer is Stomp, a piece by Seattle-based composer David Schiff that premiered on today’s date in 1990 at Alice Tully Hall in New York City at a concert by Marin Alsop’s Concordia orchestra.
For starters, on the score of Stomp, Schiff includes a reference to James Brown’s music, instructing the players, “Every instrument is treated like a drum.” Also, during its opening, there’s a staccato rhythm based on Brown’s iconic tune, “I Feel Good.”
And the Shostakovich connection? Well, Schiff confesses to modeling Stomp on the opening movement of that composer’s Symphony No. 9, right down to a strict imitation of Shostakovich’s repeat of the exposition, in sonata-form style.
On the origin and subsequent use of Stomp, Schiff said, “Marin Alsop conducted one of my pieces at Tanglewood in 1988 and later asked me for a new orchestral piece for her Concordia orchestra; since then, Stomp has since been played by many orchestras including the L.A. Philharmonic, who took it to high schools to demonstrate that classical music could be really loud.”
Music Played in Today's Program
David Schiff (b. 1945): Stomp; Baltimore Sym; David Zinman, conductor; Argo 444 454-2
96 episoade
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