Artwork

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White lines (vertical) on ultramarine

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Manage episode 205951226 series 2306350
Content provided by Art Gallery of New South Wales. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Art Gallery of New South Wales or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
If we consider the several components manifested in a work of art ... foremost is man himself, the artist ... but equally important is the use of his intuitive faculties - the influence of the unconscious. Tony Tuckson 1964 It is for his later paintings such as 'White lines (vertical) on ultramarine' that Tony Tuckson is admired as one of Australia's finest abstract expressionists. From the late 1950s, he used increasingly simplified forms and restricted colour to concentrate on the act of painting. While absorbing developments in European and American abstraction and admiring the work of fellow Australian artist Ian Fairweather, Tuckson's approach is perhaps most strongly allied to his lifelong interest in Aboriginal and Melanesian art.
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19 episoade

Artwork
iconDistribuie
 
Manage episode 205951226 series 2306350
Content provided by Art Gallery of New South Wales. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Art Gallery of New South Wales or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
If we consider the several components manifested in a work of art ... foremost is man himself, the artist ... but equally important is the use of his intuitive faculties - the influence of the unconscious. Tony Tuckson 1964 It is for his later paintings such as 'White lines (vertical) on ultramarine' that Tony Tuckson is admired as one of Australia's finest abstract expressionists. From the late 1950s, he used increasingly simplified forms and restricted colour to concentrate on the act of painting. While absorbing developments in European and American abstraction and admiring the work of fellow Australian artist Ian Fairweather, Tuckson's approach is perhaps most strongly allied to his lifelong interest in Aboriginal and Melanesian art.
  continue reading

19 episoade

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