Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Content provided by Jake Brennan and Double Elvis Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Brennan and Double Elvis Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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Black Sabbath: Satanists, Severed Limbs, Dismembered Fingers, Mountains of Cocaine and the Invention of Heavy Metal
Manage episode 444634120 series 2026210
Content provided by Jake Brennan and Double Elvis Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Brennan and Double Elvis Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Black Sabbath are solely responsible for conjuring the diabolical power of heavy metal. When guitarist Tony Iommi lost his fingertips as a teenager, he turned to a less painful style of playing— a style that produced a new, genre-defining type of gloom and heaviness. The band climbed through the seven circles of British podunk hell to international rock star success, but the lore of their dark imagery compelled the freaks to flood out of the woodwork and to their shows. Despite composing songs that warned against the evils of the occult, Black Sabbath attracted legions of devil worshippers, occultists and 1970s freak-flag-flying practitioners of the dark arts. Kids went mad for their metal. Critics hated it. And much to the band’s dismay, Satanists found their battle cry in the heavy gloom that Black Sabbath had awakened.
This episode was originally published on October 26, 2021.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.
Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER
Follow Jake and DISGRACELAND:
X (formerly Twitter)
Learn more about your ad choices. Visit megaphone.fm/adchoices
438 episoade
Distribuie
Manage episode 444634120 series 2026210
Content provided by Jake Brennan and Double Elvis Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Brennan and Double Elvis Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Black Sabbath are solely responsible for conjuring the diabolical power of heavy metal. When guitarist Tony Iommi lost his fingertips as a teenager, he turned to a less painful style of playing— a style that produced a new, genre-defining type of gloom and heaviness. The band climbed through the seven circles of British podunk hell to international rock star success, but the lore of their dark imagery compelled the freaks to flood out of the woodwork and to their shows. Despite composing songs that warned against the evils of the occult, Black Sabbath attracted legions of devil worshippers, occultists and 1970s freak-flag-flying practitioners of the dark arts. Kids went mad for their metal. Critics hated it. And much to the band’s dismay, Satanists found their battle cry in the heavy gloom that Black Sabbath had awakened.
This episode was originally published on October 26, 2021.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.
Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER
Follow Jake and DISGRACELAND:
X (formerly Twitter)
Learn more about your ad choices. Visit megaphone.fm/adchoices
438 episoade
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Similar cu DISGRACELAND
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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continue reading
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…
continue reading
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continue reading
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…
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