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A Conversation With MAURY YESTON

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Content provided by Edward Seckerson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Edward Seckerson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Maury YestonOn the day that the “chamber” version of his Tony Award winning show Titanic opens at London’s Southwark Playhouse the loquacious MAURY YESTON – composer of Nine and the “other” Phantom – chats to EDWARD SECKERSON about his journey in musical theatre. An undergraduate at Yale University, Yeston majored in music theory and has been influenced by everything from Stravinsky to Doo-Wop. His Titanic score is a compendium of all things British from Gilbert and Sullivan to Charles Villiers Stanford. Yeston has been a major presence at the BMI workshop in New York, mentoring and encouraging music theatre talent and crucially giving them an “audience” in the honing of their skills. As anyone who has ever heard the opening “symphony of voices” in Nine will testify his is the most fertile of musical imaginations which married to a great nose for drama makes for a master practitioner in the genre.

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25 episoade

Artwork
iconDistribuie
 
Manage episode 151906652 series 1042346
Content provided by Edward Seckerson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Edward Seckerson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Maury YestonOn the day that the “chamber” version of his Tony Award winning show Titanic opens at London’s Southwark Playhouse the loquacious MAURY YESTON – composer of Nine and the “other” Phantom – chats to EDWARD SECKERSON about his journey in musical theatre. An undergraduate at Yale University, Yeston majored in music theory and has been influenced by everything from Stravinsky to Doo-Wop. His Titanic score is a compendium of all things British from Gilbert and Sullivan to Charles Villiers Stanford. Yeston has been a major presence at the BMI workshop in New York, mentoring and encouraging music theatre talent and crucially giving them an “audience” in the honing of their skills. As anyone who has ever heard the opening “symphony of voices” in Nine will testify his is the most fertile of musical imaginations which married to a great nose for drama makes for a master practitioner in the genre.

  continue reading

25 episoade

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