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Life, Animated (2016) (with Janet Harbord)
Manage episode 398157200 series 2426554
Special guest Janet Harbord, Professor of Film Studies at Queen Mary, joins Chris and Alex to discuss the intersections between fantasy, animation, and autism in this examination of documentary Life, Animated (Roger Ross Williams, 2016), a film that reflects on the value and fantasies of animated media at the same time as it navigates and represents autistic apprehensions of the world. Janet’s research is primarily involved with cinema’s ability to create relationships between bodies, feelings and environments, but also how neurotypicality has historically framed our understanding of film, and she is currently one of the principle investigators on a four year Wellcome Trust funded project ‘Autism through Cinema’. Topics in this episode include Life, Animated’s treatment of protagonist Owen Suskind and images of neurodiversity onscreen; the canonisation of a certain version of Disney animation history through processes of repetition, ritualism, and re-enactment; Owen as himself a text and his status as an animator; the Disneyfication of autism and the importance of physical media in portraying animated fan communities; and what it is about (animated and fantasy) cinema that makes legible or holds an affinity with the autistic experience.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
212 episoade
Manage episode 398157200 series 2426554
Special guest Janet Harbord, Professor of Film Studies at Queen Mary, joins Chris and Alex to discuss the intersections between fantasy, animation, and autism in this examination of documentary Life, Animated (Roger Ross Williams, 2016), a film that reflects on the value and fantasies of animated media at the same time as it navigates and represents autistic apprehensions of the world. Janet’s research is primarily involved with cinema’s ability to create relationships between bodies, feelings and environments, but also how neurotypicality has historically framed our understanding of film, and she is currently one of the principle investigators on a four year Wellcome Trust funded project ‘Autism through Cinema’. Topics in this episode include Life, Animated’s treatment of protagonist Owen Suskind and images of neurodiversity onscreen; the canonisation of a certain version of Disney animation history through processes of repetition, ritualism, and re-enactment; Owen as himself a text and his status as an animator; the Disneyfication of autism and the importance of physical media in portraying animated fan communities; and what it is about (animated and fantasy) cinema that makes legible or holds an affinity with the autistic experience.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
212 episoade
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