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Album covers of Blue Note Records
MP3•Pagina episodului
Manage episode 449879973 series 3047487
Content provided by Abulsme Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Abulsme Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
fWotD Episode 2749: Album covers of Blue Note Records
Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.
The featured article for Wednesday, 13 November 2024 is Album covers of Blue Note Records.
The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs. Many of these covers feature a combination of bold colors, experimental typography, and candid photographs of the album's musicians, and have been described as belonging to the Bauhaus and Swiss Style movements.
In the early 1950s, the LP record format gained popularity, increasing the demand for album covers with graphics and information. During this time, artists like Gil Mellé, Paul Bacon, and John Hermansader began designing covers for Blue Note, often featuring pictures by photographer Francis Wolff. In 1956, Reid Miles, a former assistant to Hermansader, was hired as Blue Note's art director. Miles made 400 to 500 album covers for the label, which used various typefaces, mixed letter cases, and design principles and techniques such as asymmetry and tinting.
Miles left Blue Note in 1967 following founder Alfred Lion's retirement; after Miles's departure, Forlenza Venosa Associates and other artists, including Mati Klarwein and Bob Venosa, designed many of the label's covers. The early to mid-1970s saw the work of designers such as Norman Seeff and Bob Cato featured on Blue Note covers, while in the late 1970s and early 1980s, the label's records were reissued in Japan with new covers designed by Japanese artists. From the mid-1980s through the early 21st century, a number of artists, including Paula Scher, P. R. Brown, and Adam Pendleton, contributed to the cover designs for the label's releases.
The Blue Note album covers, particularly those designed by Miles, have been highly regarded and considered definitive of jazz's visual identity. Critics have praised the covers' designs as iconic and noted their ability to capture the spirit of the musicians and their music. The style of these covers has inspired several graphic designers and musicians, influencing a wide range of album art and other visual media.
This recording reflects the Wikipedia text as of 00:54 UTC on Wednesday, 13 November 2024.
For the full current version of the article, see Album covers of Blue Note Records on Wikipedia.
This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.
Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.
Follow us on Mastodon at @wikioftheday@masto.ai.
Also check out Curmudgeon's Corner, a current events podcast.
Until next time, I'm standard Kimberly.
…
continue reading
Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.
The featured article for Wednesday, 13 November 2024 is Album covers of Blue Note Records.
The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs. Many of these covers feature a combination of bold colors, experimental typography, and candid photographs of the album's musicians, and have been described as belonging to the Bauhaus and Swiss Style movements.
In the early 1950s, the LP record format gained popularity, increasing the demand for album covers with graphics and information. During this time, artists like Gil Mellé, Paul Bacon, and John Hermansader began designing covers for Blue Note, often featuring pictures by photographer Francis Wolff. In 1956, Reid Miles, a former assistant to Hermansader, was hired as Blue Note's art director. Miles made 400 to 500 album covers for the label, which used various typefaces, mixed letter cases, and design principles and techniques such as asymmetry and tinting.
Miles left Blue Note in 1967 following founder Alfred Lion's retirement; after Miles's departure, Forlenza Venosa Associates and other artists, including Mati Klarwein and Bob Venosa, designed many of the label's covers. The early to mid-1970s saw the work of designers such as Norman Seeff and Bob Cato featured on Blue Note covers, while in the late 1970s and early 1980s, the label's records were reissued in Japan with new covers designed by Japanese artists. From the mid-1980s through the early 21st century, a number of artists, including Paula Scher, P. R. Brown, and Adam Pendleton, contributed to the cover designs for the label's releases.
The Blue Note album covers, particularly those designed by Miles, have been highly regarded and considered definitive of jazz's visual identity. Critics have praised the covers' designs as iconic and noted their ability to capture the spirit of the musicians and their music. The style of these covers has inspired several graphic designers and musicians, influencing a wide range of album art and other visual media.
This recording reflects the Wikipedia text as of 00:54 UTC on Wednesday, 13 November 2024.
For the full current version of the article, see Album covers of Blue Note Records on Wikipedia.
This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.
Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.
Follow us on Mastodon at @wikioftheday@masto.ai.
Also check out Curmudgeon's Corner, a current events podcast.
Until next time, I'm standard Kimberly.
101 episoade
MP3•Pagina episodului
Manage episode 449879973 series 3047487
Content provided by Abulsme Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Abulsme Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
fWotD Episode 2749: Album covers of Blue Note Records
Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.
The featured article for Wednesday, 13 November 2024 is Album covers of Blue Note Records.
The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs. Many of these covers feature a combination of bold colors, experimental typography, and candid photographs of the album's musicians, and have been described as belonging to the Bauhaus and Swiss Style movements.
In the early 1950s, the LP record format gained popularity, increasing the demand for album covers with graphics and information. During this time, artists like Gil Mellé, Paul Bacon, and John Hermansader began designing covers for Blue Note, often featuring pictures by photographer Francis Wolff. In 1956, Reid Miles, a former assistant to Hermansader, was hired as Blue Note's art director. Miles made 400 to 500 album covers for the label, which used various typefaces, mixed letter cases, and design principles and techniques such as asymmetry and tinting.
Miles left Blue Note in 1967 following founder Alfred Lion's retirement; after Miles's departure, Forlenza Venosa Associates and other artists, including Mati Klarwein and Bob Venosa, designed many of the label's covers. The early to mid-1970s saw the work of designers such as Norman Seeff and Bob Cato featured on Blue Note covers, while in the late 1970s and early 1980s, the label's records were reissued in Japan with new covers designed by Japanese artists. From the mid-1980s through the early 21st century, a number of artists, including Paula Scher, P. R. Brown, and Adam Pendleton, contributed to the cover designs for the label's releases.
The Blue Note album covers, particularly those designed by Miles, have been highly regarded and considered definitive of jazz's visual identity. Critics have praised the covers' designs as iconic and noted their ability to capture the spirit of the musicians and their music. The style of these covers has inspired several graphic designers and musicians, influencing a wide range of album art and other visual media.
This recording reflects the Wikipedia text as of 00:54 UTC on Wednesday, 13 November 2024.
For the full current version of the article, see Album covers of Blue Note Records on Wikipedia.
This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.
Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.
Follow us on Mastodon at @wikioftheday@masto.ai.
Also check out Curmudgeon's Corner, a current events podcast.
Until next time, I'm standard Kimberly.
…
continue reading
Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.
The featured article for Wednesday, 13 November 2024 is Album covers of Blue Note Records.
The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs. Many of these covers feature a combination of bold colors, experimental typography, and candid photographs of the album's musicians, and have been described as belonging to the Bauhaus and Swiss Style movements.
In the early 1950s, the LP record format gained popularity, increasing the demand for album covers with graphics and information. During this time, artists like Gil Mellé, Paul Bacon, and John Hermansader began designing covers for Blue Note, often featuring pictures by photographer Francis Wolff. In 1956, Reid Miles, a former assistant to Hermansader, was hired as Blue Note's art director. Miles made 400 to 500 album covers for the label, which used various typefaces, mixed letter cases, and design principles and techniques such as asymmetry and tinting.
Miles left Blue Note in 1967 following founder Alfred Lion's retirement; after Miles's departure, Forlenza Venosa Associates and other artists, including Mati Klarwein and Bob Venosa, designed many of the label's covers. The early to mid-1970s saw the work of designers such as Norman Seeff and Bob Cato featured on Blue Note covers, while in the late 1970s and early 1980s, the label's records were reissued in Japan with new covers designed by Japanese artists. From the mid-1980s through the early 21st century, a number of artists, including Paula Scher, P. R. Brown, and Adam Pendleton, contributed to the cover designs for the label's releases.
The Blue Note album covers, particularly those designed by Miles, have been highly regarded and considered definitive of jazz's visual identity. Critics have praised the covers' designs as iconic and noted their ability to capture the spirit of the musicians and their music. The style of these covers has inspired several graphic designers and musicians, influencing a wide range of album art and other visual media.
This recording reflects the Wikipedia text as of 00:54 UTC on Wednesday, 13 November 2024.
For the full current version of the article, see Album covers of Blue Note Records on Wikipedia.
This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.
Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.
Follow us on Mastodon at @wikioftheday@masto.ai.
Also check out Curmudgeon's Corner, a current events podcast.
Until next time, I'm standard Kimberly.
101 episoade
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