In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Black Hollywood: The Woman King
Manage episode 367004168 series 3380432
Content provided by UCTV. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by UCTV or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Production designer Akin McKenzie joined moderator Mireille Miller-Young (Feminist Studies, UCSB) for a post-screening discussion of his work in visualizing the world of The Woman King. The discussion revolved around McKenzie’s extensive research from out-of-print books, photos, and other archival materials to disentangle complex historical events from colonial revisionism. McKenzie also detailed his collaboration process with director Gina Prince-Bythewood and shared thoughts on Black representation in Hollywood and the future of Black cinema. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38875]
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313 episoade
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Manage episode 367004168 series 3380432
Content provided by UCTV. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by UCTV or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Production designer Akin McKenzie joined moderator Mireille Miller-Young (Feminist Studies, UCSB) for a post-screening discussion of his work in visualizing the world of The Woman King. The discussion revolved around McKenzie’s extensive research from out-of-print books, photos, and other archival materials to disentangle complex historical events from colonial revisionism. McKenzie also detailed his collaboration process with director Gina Prince-Bythewood and shared thoughts on Black representation in Hollywood and the future of Black cinema. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38875]
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Similar cu Film and Television (Audio)
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Jim and A.Ron review each week's episode of HBO's House of the Dragon and your feedback.
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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