In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Elvis and the Hysteria of Baz Luhrmann
Manage episode 334150561 series 2858749
Content provided by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
You may know writer-director-producer Baz Luhrmann from such expensive spectacles as The Great Gatsby, Australia, and Moulin Rouge! Co-hosts Dolores and Eileen talk about Luhrmann's hysterically melodramatic films and disagree sharply on how successfully his new biopic Elvis represents the life and career of legendary performer Elvis Presley, debating in particular how the film stands on the entrenched "Elvis authenticity thesis." (Short version of theory: young "real" pioneering rocker Elvis = good, and older "fake" Las Vegas Elvis = bad.)
51 episoade
Distribuie
Manage episode 334150561 series 2858749
Content provided by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
You may know writer-director-producer Baz Luhrmann from such expensive spectacles as The Great Gatsby, Australia, and Moulin Rouge! Co-hosts Dolores and Eileen talk about Luhrmann's hysterically melodramatic films and disagree sharply on how successfully his new biopic Elvis represents the life and career of legendary performer Elvis Presley, debating in particular how the film stands on the entrenched "Elvis authenticity thesis." (Short version of theory: young "real" pioneering rocker Elvis = good, and older "fake" Las Vegas Elvis = bad.)
51 episoade
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Similar cu Filmsuck
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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continue reading
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…
continue reading
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continue reading
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…
continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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