In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Tragedy of Macbeth: A Banquet for Starving Film-Lovers
Manage episode 319893611 series 2858749
Content provided by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
We're very keen on this audacious adaptation of Macbeth by Joel Coen, his first solo effort without brother Ethan. This might seem like an odd choice of project, but Coen stresses the link between Macbeth and earlier Coen "pulp noir" films. He also acknowledges his brilliant predecessors in making expressionistic black-and-white versions of Macbeth, saying in interviews that, while Akira Kurosawa's 1957 Throne of Blood is probably the greatest film adaptation, Orson Welles' 1948 Macbeth is the most emboldening: "That's a wacky movie. Welles had no problem rearranging, cutting, and inventing with Shakespeare. It was kind of liberating. You look at that and go, well, all right, he's doing it."
51 episoade
Distribuie
Manage episode 319893611 series 2858749
Content provided by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
We're very keen on this audacious adaptation of Macbeth by Joel Coen, his first solo effort without brother Ethan. This might seem like an odd choice of project, but Coen stresses the link between Macbeth and earlier Coen "pulp noir" films. He also acknowledges his brilliant predecessors in making expressionistic black-and-white versions of Macbeth, saying in interviews that, while Akira Kurosawa's 1957 Throne of Blood is probably the greatest film adaptation, Orson Welles' 1948 Macbeth is the most emboldening: "That's a wacky movie. Welles had no problem rearranging, cutting, and inventing with Shakespeare. It was kind of liberating. You look at that and go, well, all right, he's doing it."
51 episoade
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Similar cu Filmsuck
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
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continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
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continue reading
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…
continue reading
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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continue reading
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continue reading
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…
continue reading
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