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Episode 2: Caitlin Kelly / Read as Believers

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Content provided by Flash Readings by the Brittain Fellows and Lauren Neefe. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Flash Readings by the Brittain Fellows and Lauren Neefe or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Caitlin Kelly, who specializes in the literature and culture of the long eighteenth century, examines the role of private devotion in Samuel Richardson’s landmark epistolary novel Pamela; or, Virtue Rewarded (1740). Of particular interest is the public performance of Pamela’s adaptation of Psalm 137, best known by its first verse: “By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion” (KJV). Read more at the Georgia Tech Writing and Communication Program's online journal: http://b.gatech.edu/2mXxPUz
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6 episoade

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Fetch error

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Manage episode 199053824 series 2083467
Content provided by Flash Readings by the Brittain Fellows and Lauren Neefe. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Flash Readings by the Brittain Fellows and Lauren Neefe or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Caitlin Kelly, who specializes in the literature and culture of the long eighteenth century, examines the role of private devotion in Samuel Richardson’s landmark epistolary novel Pamela; or, Virtue Rewarded (1740). Of particular interest is the public performance of Pamela’s adaptation of Psalm 137, best known by its first verse: “By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion” (KJV). Read more at the Georgia Tech Writing and Communication Program's online journal: http://b.gatech.edu/2mXxPUz
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6 episoade

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