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Talking with Nadia Ferroukhi and about her project: In the name of mother (ENG)

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Content provided by Das Fotopodcast-Team. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Das Fotopodcast-Team or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
During the La Gacilly Photo Festival in Baden near Vienna, Nadia Ferroukhi and Michael met for a very personal interview about her, her project "Au nom de la mére / in the name of mother" and the idea behind
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Shownotes zu Fotopodcast #425


Kenya, Samburu & Turkana
Girl_going_to_a_wedding
Grand Comore, comorian
Guinea Bissau, Bijago
Algeria, Touareg
Mexico, Zapotec
  • Going on
  • How did you find all these women an their villages?
  • The difference between patriarchy and matriarchy
  • Three differences between matriarchies
  • Getting familiar and beginning to research
  • How long did you stay with the women? And what did you notice?
  • The first published book: Les Matriarches
  • Did the women offer you the way they´ve acted?
  • Did you show them the pictures?
  • Not always an easy job…
  • Preparing the second book
  • Do you remember a special moment?
  • Photography is a beautyful profession, but…
  • What is your personal tip for photography?
  • Where can our listeners find you?
  • Bye, bye…

BIOGRAPHY OF NADIA FERROUKHI

Nadia Ferroukhi lives in Paris. Born of a Czech mother and an Algerian father, a nomad since her childhood. Today, as a documentary photographer and a visual storyteller, she travels the planet armed with her camera, expressing herself through reports that she publishes in the French and international press. She exhibits in festivals, galleries and international museums.
Multilingual and curious, her „3rd eye“ and her empathy allow her to fulfill all the aspirations that have animated her since childhood. Her photos tell the stories of all those who, through their specificity, contribute to the diversity of the planet. Over the years, she has built stories, with a particular focus on the status of women.
Nadia established two associations : Douniatou Association in 2008 to help Tumaï, a woman village in Kenya. Tumaï is part of her latest story showcased in Les Matriarches, photo & textbook. And, Anno’s Arts in 2022, to support the academic and artistic education of children living in the slums of Nairobi, Kenya and to promote exchanges with France : https://www.annosarts.org
She graduated in International Relations in Virginia, USA.


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Das Titelbild der Folge 425 wurde von Michael Eloy Werthmüller, alle weiteren Bilder von Nadia Ferroukhi zur Verfügung gestellt!

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Capitole

1. Start (00:00:00)

2. Welcome (00:00:11)

3. Introduction of Nadia Ferroukhi (00:01:05)

4. How did you get into photography? (00:02:46)

5. The idea behind the project: Au nom de la mére / in the name of the mother (00:06:21)

6. A fixer, really helpful - but was does it mean? (00:08:29)

7. Meeting Mohammed (00:09:27)

8. DOUNIATOU - helping for more than 15 years (00:11:04)

9. Going on (00:12:41)

10. How did you find all these women an their villages? (00:13:49)

11. The difference between patriarchy and matriarchy (00:14:49)

12. Three differences between matriarchies (00:15:30)

13. Getting familiar and beginning to research (00:16:30)

14. How long did you stay with the women? And what did you notice? (00:16:51)

15. The first published book: Les Matriaches (00:19:50)

16. Did the women offer you the way they´ve acted? (00:24:13)

17. Did you show them the pictures? (00:26:13)

18. Not always an easy job... (00:30:14)

19. Preparing the second book (00:30:57)

20. Do you remember a special moment? (00:32:49)

21. Photography is a beautyful profession, but... (00:36:13)

22. What is your personal tip for photography? (00:37:57)

23. Where can our listeners find you? (00:40:06)

24. Bye, bye... (00:40:30)

431 episoade

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Manage episode 446343587 series 1542735
Content provided by Das Fotopodcast-Team. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Das Fotopodcast-Team or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
During the La Gacilly Photo Festival in Baden near Vienna, Nadia Ferroukhi and Michael met for a very personal interview about her, her project "Au nom de la mére / in the name of mother" and the idea behind
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Shownotes zu Fotopodcast #425


Kenya, Samburu & Turkana
Girl_going_to_a_wedding
Grand Comore, comorian
Guinea Bissau, Bijago
Algeria, Touareg
Mexico, Zapotec
  • Going on
  • How did you find all these women an their villages?
  • The difference between patriarchy and matriarchy
  • Three differences between matriarchies
  • Getting familiar and beginning to research
  • How long did you stay with the women? And what did you notice?
  • The first published book: Les Matriarches
  • Did the women offer you the way they´ve acted?
  • Did you show them the pictures?
  • Not always an easy job…
  • Preparing the second book
  • Do you remember a special moment?
  • Photography is a beautyful profession, but…
  • What is your personal tip for photography?
  • Where can our listeners find you?
  • Bye, bye…

BIOGRAPHY OF NADIA FERROUKHI

Nadia Ferroukhi lives in Paris. Born of a Czech mother and an Algerian father, a nomad since her childhood. Today, as a documentary photographer and a visual storyteller, she travels the planet armed with her camera, expressing herself through reports that she publishes in the French and international press. She exhibits in festivals, galleries and international museums.
Multilingual and curious, her „3rd eye“ and her empathy allow her to fulfill all the aspirations that have animated her since childhood. Her photos tell the stories of all those who, through their specificity, contribute to the diversity of the planet. Over the years, she has built stories, with a particular focus on the status of women.
Nadia established two associations : Douniatou Association in 2008 to help Tumaï, a woman village in Kenya. Tumaï is part of her latest story showcased in Les Matriarches, photo & textbook. And, Anno’s Arts in 2022, to support the academic and artistic education of children living in the slums of Nairobi, Kenya and to promote exchanges with France : https://www.annosarts.org
She graduated in International Relations in Virginia, USA.


Wichtige Hinweise in eigener Sache:

Um den vollen Funktionsumfang unserer Folgen erleben zu können, empfehlen wir euch die folgenden Podcatcher mit Bildunterstützung.

Für IOS-Geräte: Apple Podcasts, Overcast und Downcast

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Nicht vergessen:
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Das Titelbild der Folge 425 wurde von Michael Eloy Werthmüller, alle weiteren Bilder von Nadia Ferroukhi zur Verfügung gestellt!

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Capitole

1. Start (00:00:00)

2. Welcome (00:00:11)

3. Introduction of Nadia Ferroukhi (00:01:05)

4. How did you get into photography? (00:02:46)

5. The idea behind the project: Au nom de la mére / in the name of the mother (00:06:21)

6. A fixer, really helpful - but was does it mean? (00:08:29)

7. Meeting Mohammed (00:09:27)

8. DOUNIATOU - helping for more than 15 years (00:11:04)

9. Going on (00:12:41)

10. How did you find all these women an their villages? (00:13:49)

11. The difference between patriarchy and matriarchy (00:14:49)

12. Three differences between matriarchies (00:15:30)

13. Getting familiar and beginning to research (00:16:30)

14. How long did you stay with the women? And what did you notice? (00:16:51)

15. The first published book: Les Matriaches (00:19:50)

16. Did the women offer you the way they´ve acted? (00:24:13)

17. Did you show them the pictures? (00:26:13)

18. Not always an easy job... (00:30:14)

19. Preparing the second book (00:30:57)

20. Do you remember a special moment? (00:32:49)

21. Photography is a beautyful profession, but... (00:36:13)

22. What is your personal tip for photography? (00:37:57)

23. Where can our listeners find you? (00:40:06)

24. Bye, bye... (00:40:30)

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