In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Maestro: getting onscreen ageing so wrong and so right
Manage episode 419541463 series 2928332
Content provided by Maisie Williams. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maisie Williams or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
This week we watch Maestro, a film where Bradley Cooper convincingly ages before your eyes across four decades. We address his biographical film about American conductor Leonard Bernstein. In this episode, we learn a lot about Cooper’s career and directing techniques. We finally learn what a conductor actually does. We discuss whether the apparent 6 years of prep goes unnoticed as far as the performances are concerned. And we recoil in horror at Carey Mulligans lack of ageing.
Maestro (2023) follows Leonard Bernstein as he begins a tumultuous relationship with actress Felicia Montealegre, upturning both of their lives. It stars Bradley Cooper, Carey Mulligan, Maya Hawke, Sarah Silverman. It is available to stream on Netflix.
A full transcript of this episode can be found here.
Keep up to date with us on Instagram, TikTok, Letterboxd and YouTube: @frankfilmclub
Hosted on Acast. See acast.com/privacy for more information.
65 episoade
Distribuie
Manage episode 419541463 series 2928332
Content provided by Maisie Williams. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maisie Williams or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
This week we watch Maestro, a film where Bradley Cooper convincingly ages before your eyes across four decades. We address his biographical film about American conductor Leonard Bernstein. In this episode, we learn a lot about Cooper’s career and directing techniques. We finally learn what a conductor actually does. We discuss whether the apparent 6 years of prep goes unnoticed as far as the performances are concerned. And we recoil in horror at Carey Mulligans lack of ageing.
Maestro (2023) follows Leonard Bernstein as he begins a tumultuous relationship with actress Felicia Montealegre, upturning both of their lives. It stars Bradley Cooper, Carey Mulligan, Maya Hawke, Sarah Silverman. It is available to stream on Netflix.
A full transcript of this episode can be found here.
Keep up to date with us on Instagram, TikTok, Letterboxd and YouTube: @frankfilmclub
Hosted on Acast. See acast.com/privacy for more information.
65 episoade
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Similar cu Frank Film Club with Maisie Williams
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
In The Filmcast, hardcore geeks David Chen, Devindra Hardawar, and Jeff Cannata debate, pontificate, and delve into the latest films, TV shows, and other entertainment-related items from the past week. Weekly guests include everyday bloggers, webmaster luminaries, film directors, and movie stars from all walks of life. You can reach us at slashfilmcast@gmail.com and find more podcast episodes at http://www.thefilmcast.com
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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