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Moon Knight and The Green Knight Cinematography (with Andrew Droz Palermo) GCS315

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Manage episode 333479081 series 2311351
Content provided by Ben Consoli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Consoli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Marvel’s MOON KNIGHT and A24’s THE GREEN KNIGHT are filled with original and compelling cinematography thanks to director of photography Andrew Droz Palermo. We do a deep dive into Andrew’s visual approach for both projects.

Andrew and Go Creative Show host, Ben Consoli, discuss why he avoided excessive close up angles, how filming handheld can motivate editing, what no one thinks about when filming in the desert, cinematography tricks to make someone look crazy, and so much more.

Subscribe Now!

What you will learn in this episode
  • Learning from other cinematographers on a series (01:03)
  • Avoiding excessive close ups (07:00)
  • How shooting handheld can motivate editing (08:54)
  • Why cinematographers should rehearse with actors (12:56)
  • Setting yourself up for success filming 360° on set (18:11)
  • What no one thinks about when filming in the desert (22:23)
  • How to light scenes with only flashlights (27:32)
  • Working with practical references for CGI elements (32:49)
  • Why filming reflections is so challenging (35:15)
  • Making someone look crazy with cinematography (39:58)
  • Tricks to film duplicates of actors in camera (43:37)
  • Cinematography of THE GREEN KNIGHT (46:27)
  • Framing composition inspired by paintings (50:10)
  • Why Arri DNA lenses were the clear choice (54:42)
  • And more!

Go Creative Show is supported by:

Shot Lister - The Best Shot List App Email gocreativeshow@shotlister.com to claim your free gift Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli

Follow Connor Crosby (producer)

Follow Dave Siegel (sound mixer)

  continue reading

158 episoade

Artwork
iconDistribuie
 
Manage episode 333479081 series 2311351
Content provided by Ben Consoli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Consoli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Marvel’s MOON KNIGHT and A24’s THE GREEN KNIGHT are filled with original and compelling cinematography thanks to director of photography Andrew Droz Palermo. We do a deep dive into Andrew’s visual approach for both projects.

Andrew and Go Creative Show host, Ben Consoli, discuss why he avoided excessive close up angles, how filming handheld can motivate editing, what no one thinks about when filming in the desert, cinematography tricks to make someone look crazy, and so much more.

Subscribe Now!

What you will learn in this episode
  • Learning from other cinematographers on a series (01:03)
  • Avoiding excessive close ups (07:00)
  • How shooting handheld can motivate editing (08:54)
  • Why cinematographers should rehearse with actors (12:56)
  • Setting yourself up for success filming 360° on set (18:11)
  • What no one thinks about when filming in the desert (22:23)
  • How to light scenes with only flashlights (27:32)
  • Working with practical references for CGI elements (32:49)
  • Why filming reflections is so challenging (35:15)
  • Making someone look crazy with cinematography (39:58)
  • Tricks to film duplicates of actors in camera (43:37)
  • Cinematography of THE GREEN KNIGHT (46:27)
  • Framing composition inspired by paintings (50:10)
  • Why Arri DNA lenses were the clear choice (54:42)
  • And more!

Go Creative Show is supported by:

Shot Lister - The Best Shot List App Email gocreativeshow@shotlister.com to claim your free gift Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli

Follow Connor Crosby (producer)

Follow Dave Siegel (sound mixer)

  continue reading

158 episoade

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