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The 85 South Show with Karlous Miller, DC Young Fly and Chico Bean
1 ICE CUBE in the Trap! | 85 South Show Podcast 52:43
52:43
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52:43West Coast legend Ice Cube pulls up to the trap to talk about his new album and kick it one good tine with Karlous Miller, Chico Bean, DC Young Fly and Clayton English! Off the rip they start talking about DC being in the New Friday movies. Cube takes it all the way back to how he started in Compton and Karlous asks about the lyrics to "Today Was A Good Day!" The squad talks about The Big 3 and the struggle to build an all new league. Cube talks about how the govt opposition to his early music and talks about how he got involved in developing a political plan for Black People. From Mike Epps to Bernie Mac, the conversations sways to talking about how comedians impact the movies. Cube talks "All About The Benjamins" and tells a crazy story from the time he was filming Anaconda with J Lo. This is the coldest podcast! || 85 SOUTH App : www.channeleightyfive.com || Twitter/IG : @85SouthShow || Our Website: www.85southshow.com See omnystudio.com/listener for privacy information.…
The Freedom Of Expression With MARTIN JACKSON From CONFYDE
Manage episode 376305227 series 2442388
Content provided by HEAVY Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by HEAVY Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Interview by Kris Peters
One of the most beautiful things about music is the individual expression that goes into creating a body of work.
Sure, a band is made up of several members on most occasions, but each of those members still contributes part of their personal DNA throughout each written and recorded piece of music.
But for those musicians adept at playing anything and everything and who record most of the instruments and vocals themselves, then that strand of DNA is magnified exponentially.
As is the case with UK outfit Confyde, who started life as a solo project by Martin Jackson and have slowly evolved to the stage where their music is enough in demand for him to start recruiting other musicians.
Jackson also moonlights as frontman for System Of A Down tribute act Chop Suey (which also features Sam Totman from Dragonforce and Andre Joyzi from Breed 77) but it is with his original project Confyde that he gets a chance to faithfully represent himself musically.
An eclectic mixture of styles with its roots in rock, Confyde have steadily built their career around a string of single releases, with the latest slab of goodness being Scalper.
Jackson sat down with HEAVY to tell us more.
"It's been brilliant," he enthused about the early reception to Scalper. "Probably the strongest reception so far. I've been putting out singles with Confyde since 2020 when it got rebooted, and by every measure this song has been the most successful so far."
We ask Jackson to go deeper into Scalper musically.
"I knew, given the subject matter of what I wanted to sing about - the housing crisis and eternal misery a lot of our generation have to live with - there's a lot of anger and resentment around this particular subject, so I knew it had to be angry," he explained. "It needed to be a loud, metal song and I've not done a metal song for quite a while and the influences that came in were big chunky guitars with a proggy tip to them, so there's a Mastodon influence there, and Sikth influence... I'm a huge fan of 12 Foot Ninja and how they switch up genres inside their songs and Confyde is very much a project where every single almost completely transforms the sound and I really admire what 12 Foot Ninja do with that. You kind of have this ebb and flow. Often when you're dealing with a really broken housing system it feels like an absolute roller coaster and nothing is ever resolved, so I like to feel like this song represents that. There are some sections that are really heavy and in your face, some that are more majestic and hopeful and there's others that are sinister and in a pit. It feels like you can never really relax while listening to it (laughs), but at the same time I wanted to have something that... even though I love all this musical experimentation I'm always keen for songs that have solid, memorable hooks. Something people can sing along and shout along to in solidarity with subject matter like this. A big influence on that was probably Alter Bridge and Nothing More."
In the full interview, Martin talks more about the musical nature of Scalper, keeping things cohesive while skipping all over the place, the strong subject matter, how Scalper differs musically to previous single Man Down, singles versus albums in the modern climate, playing live and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
…
continue reading
One of the most beautiful things about music is the individual expression that goes into creating a body of work.
Sure, a band is made up of several members on most occasions, but each of those members still contributes part of their personal DNA throughout each written and recorded piece of music.
But for those musicians adept at playing anything and everything and who record most of the instruments and vocals themselves, then that strand of DNA is magnified exponentially.
As is the case with UK outfit Confyde, who started life as a solo project by Martin Jackson and have slowly evolved to the stage where their music is enough in demand for him to start recruiting other musicians.
Jackson also moonlights as frontman for System Of A Down tribute act Chop Suey (which also features Sam Totman from Dragonforce and Andre Joyzi from Breed 77) but it is with his original project Confyde that he gets a chance to faithfully represent himself musically.
An eclectic mixture of styles with its roots in rock, Confyde have steadily built their career around a string of single releases, with the latest slab of goodness being Scalper.
Jackson sat down with HEAVY to tell us more.
"It's been brilliant," he enthused about the early reception to Scalper. "Probably the strongest reception so far. I've been putting out singles with Confyde since 2020 when it got rebooted, and by every measure this song has been the most successful so far."
We ask Jackson to go deeper into Scalper musically.
"I knew, given the subject matter of what I wanted to sing about - the housing crisis and eternal misery a lot of our generation have to live with - there's a lot of anger and resentment around this particular subject, so I knew it had to be angry," he explained. "It needed to be a loud, metal song and I've not done a metal song for quite a while and the influences that came in were big chunky guitars with a proggy tip to them, so there's a Mastodon influence there, and Sikth influence... I'm a huge fan of 12 Foot Ninja and how they switch up genres inside their songs and Confyde is very much a project where every single almost completely transforms the sound and I really admire what 12 Foot Ninja do with that. You kind of have this ebb and flow. Often when you're dealing with a really broken housing system it feels like an absolute roller coaster and nothing is ever resolved, so I like to feel like this song represents that. There are some sections that are really heavy and in your face, some that are more majestic and hopeful and there's others that are sinister and in a pit. It feels like you can never really relax while listening to it (laughs), but at the same time I wanted to have something that... even though I love all this musical experimentation I'm always keen for songs that have solid, memorable hooks. Something people can sing along and shout along to in solidarity with subject matter like this. A big influence on that was probably Alter Bridge and Nothing More."
In the full interview, Martin talks more about the musical nature of Scalper, keeping things cohesive while skipping all over the place, the strong subject matter, how Scalper differs musically to previous single Man Down, singles versus albums in the modern climate, playing live and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
1003 episoade
Manage episode 376305227 series 2442388
Content provided by HEAVY Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by HEAVY Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Interview by Kris Peters
One of the most beautiful things about music is the individual expression that goes into creating a body of work.
Sure, a band is made up of several members on most occasions, but each of those members still contributes part of their personal DNA throughout each written and recorded piece of music.
But for those musicians adept at playing anything and everything and who record most of the instruments and vocals themselves, then that strand of DNA is magnified exponentially.
As is the case with UK outfit Confyde, who started life as a solo project by Martin Jackson and have slowly evolved to the stage where their music is enough in demand for him to start recruiting other musicians.
Jackson also moonlights as frontman for System Of A Down tribute act Chop Suey (which also features Sam Totman from Dragonforce and Andre Joyzi from Breed 77) but it is with his original project Confyde that he gets a chance to faithfully represent himself musically.
An eclectic mixture of styles with its roots in rock, Confyde have steadily built their career around a string of single releases, with the latest slab of goodness being Scalper.
Jackson sat down with HEAVY to tell us more.
"It's been brilliant," he enthused about the early reception to Scalper. "Probably the strongest reception so far. I've been putting out singles with Confyde since 2020 when it got rebooted, and by every measure this song has been the most successful so far."
We ask Jackson to go deeper into Scalper musically.
"I knew, given the subject matter of what I wanted to sing about - the housing crisis and eternal misery a lot of our generation have to live with - there's a lot of anger and resentment around this particular subject, so I knew it had to be angry," he explained. "It needed to be a loud, metal song and I've not done a metal song for quite a while and the influences that came in were big chunky guitars with a proggy tip to them, so there's a Mastodon influence there, and Sikth influence... I'm a huge fan of 12 Foot Ninja and how they switch up genres inside their songs and Confyde is very much a project where every single almost completely transforms the sound and I really admire what 12 Foot Ninja do with that. You kind of have this ebb and flow. Often when you're dealing with a really broken housing system it feels like an absolute roller coaster and nothing is ever resolved, so I like to feel like this song represents that. There are some sections that are really heavy and in your face, some that are more majestic and hopeful and there's others that are sinister and in a pit. It feels like you can never really relax while listening to it (laughs), but at the same time I wanted to have something that... even though I love all this musical experimentation I'm always keen for songs that have solid, memorable hooks. Something people can sing along and shout along to in solidarity with subject matter like this. A big influence on that was probably Alter Bridge and Nothing More."
In the full interview, Martin talks more about the musical nature of Scalper, keeping things cohesive while skipping all over the place, the strong subject matter, how Scalper differs musically to previous single Man Down, singles versus albums in the modern climate, playing live and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
…
continue reading
One of the most beautiful things about music is the individual expression that goes into creating a body of work.
Sure, a band is made up of several members on most occasions, but each of those members still contributes part of their personal DNA throughout each written and recorded piece of music.
But for those musicians adept at playing anything and everything and who record most of the instruments and vocals themselves, then that strand of DNA is magnified exponentially.
As is the case with UK outfit Confyde, who started life as a solo project by Martin Jackson and have slowly evolved to the stage where their music is enough in demand for him to start recruiting other musicians.
Jackson also moonlights as frontman for System Of A Down tribute act Chop Suey (which also features Sam Totman from Dragonforce and Andre Joyzi from Breed 77) but it is with his original project Confyde that he gets a chance to faithfully represent himself musically.
An eclectic mixture of styles with its roots in rock, Confyde have steadily built their career around a string of single releases, with the latest slab of goodness being Scalper.
Jackson sat down with HEAVY to tell us more.
"It's been brilliant," he enthused about the early reception to Scalper. "Probably the strongest reception so far. I've been putting out singles with Confyde since 2020 when it got rebooted, and by every measure this song has been the most successful so far."
We ask Jackson to go deeper into Scalper musically.
"I knew, given the subject matter of what I wanted to sing about - the housing crisis and eternal misery a lot of our generation have to live with - there's a lot of anger and resentment around this particular subject, so I knew it had to be angry," he explained. "It needed to be a loud, metal song and I've not done a metal song for quite a while and the influences that came in were big chunky guitars with a proggy tip to them, so there's a Mastodon influence there, and Sikth influence... I'm a huge fan of 12 Foot Ninja and how they switch up genres inside their songs and Confyde is very much a project where every single almost completely transforms the sound and I really admire what 12 Foot Ninja do with that. You kind of have this ebb and flow. Often when you're dealing with a really broken housing system it feels like an absolute roller coaster and nothing is ever resolved, so I like to feel like this song represents that. There are some sections that are really heavy and in your face, some that are more majestic and hopeful and there's others that are sinister and in a pit. It feels like you can never really relax while listening to it (laughs), but at the same time I wanted to have something that... even though I love all this musical experimentation I'm always keen for songs that have solid, memorable hooks. Something people can sing along and shout along to in solidarity with subject matter like this. A big influence on that was probably Alter Bridge and Nothing More."
In the full interview, Martin talks more about the musical nature of Scalper, keeping things cohesive while skipping all over the place, the strong subject matter, how Scalper differs musically to previous single Man Down, singles versus albums in the modern climate, playing live and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
1003 episoade
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HEAVY Music Interviews
1 Keeping Rock Alive With TAILOR MADE REJECTS 15:37
15:37
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15:37The Koala Tavern in Capalaba will host the inaugural Rock Is Not Dead Festival on February 1, 2025. Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock Is Not Dead will feature 8 of the hottest bands from around the country, each with their own unique flair and passion for music. Headliners Avalanche (the next big thing), Tailor Made Rejects (the unapologetic alt. rockers), Snake Bite Whisky (the kings of sleaze), Black Whiskey (pure Aussie rock), Stone Rising (underrated icons), Whiskey On The Rox (a crowd-pleasing 80s cover band), Goatzilla (legends of the live show), and Slythr (the up-and-coming rock prodigies) will assemble over one afternoon/night of live music unlike anything seen in the Bayside of Brisbane, over one stage with no clashes or scheduling conflicts. Today we catch up with one of the bands, Tailor Made Rejects, who returned late last year with a triumphant new single Hurt People and promise more of the same on February 1. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Putting The KA-BOOM Back Into Music With JOSH MORGAN From FIST 15:29
15:29
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15:29Interview by Kris Peters Sometimes playing nice doesn't get the desired results, especially in music. To really get to know yourself, your bandmates, and your audience, stepping into a studio and cutting some tracks with more polish than Mr. Sheen is often a band aid fix to a bandage problem. Any inconsistencies and/or inadequacies can be ironed out with creative technology and by the time you make it to the stage in a live environment, you are not only suffering from an inflated ego, but, more importantly, the sudden knowledge that without studio gadgets you're actually not very good. Newcastle noise merchants FIST decided to do the opposite, knocking out hard yards on the touring circuit and playing more than 70 shows in front of new faces before offering up their first studio single KA-BOOM (MTHRFCKR). And if this one song is anything to go by, their bold move has paid off. KA-BOOM (MTHRFCKR) is being premiered via HEAVY at 5pm AEDT on Wednesday, January 15 before being officially released through other channels two days later. The song hits with the subtlety of Thor's hammer and is a welcome breath of savage air that hopefully will continue long into the coming year. Pretty much everything FIST has done so far is the opposite to what you would read in the modern age "How To Make It In Music" guide. But also, pretty much everything FIST has done so far has proved you don't need to follow rules. There are no rules in music. Isn't that part of the magic of the industry? HEAVY spoke with FIST pumper Josh Morgan to find out more and start by thanking the band for a late sonic Christmas present. "It's a very late Christmas present," he countered. "It should have been out a year before, but we're finally getting into it. We did a live album so we could try and get as much out of those songs as we can before we have to actually pay all the money to record them (laughs)." In the full interview we talk about the band's different approach to establishing a fan base, if it worked, the benefits of road testing songs for a prolonged period before committing them to file, why they chose KA-BOOM (MTHRFCKR) as the first song to record, what to expect musically, upcoming shows, censoring your own music to an extent so as not to offend people and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Throwing Your TOYS Out Of The Cot With BRAE FISHER From DEAR SEATTLE 16:47
16:47
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16:47Sydney rock outfit Dear Seattle epitomize the current wave of emerging Australian bands. With a distinctive Aussie tinge to their emotive and propulsive wares, Dear Seattle first emerged onto the scene back in 2013, releasing their debut EP Words Are Often Useless that same year. Following a second EP release, 2017's self-titled Dear Seattle, the Northern Beaches-hailing group solidified their presence with their first ever full-length album Don't Let Go in 2019, also securing the group a #10 spot on the ARIA Australian Album Charts. Unleashing their powerful sophomore album Someday in 2022, Dear Seattle expanded their legacy to even greater heights, with Someday debuting at #4 on the ARIA Australian Album Charts, a Spotlight Album feature on triple j, and Rolling Stone declaring that "Dear Seattle is born again". But with success comes greater responsibility (or something like that), and Dear Seattle are certainly under the microscope of public and media scrutiny as they prepare to unleash their third album Toy this Friday, January 27. Not that you would know it. Four of the six album launch parties Dear Seattle hosted around the country in the lead up to Christmas were sold out, not a bad effort in a time where crowds and the music industry in general have basically come to a stand still.With four shows left to complete the tour - the first of which will be in Canberra this Thursday - focus now switches to Friday's release of Toy. Will it live up to the hype? Will it live up to the expectation? Will Toy make Dear Seattle bigger than Nirvana? HEAVY caught up with frontman Brae Fisher to find out the answers to these questions and more. "We've just done a few interviews before this, and it's so nice to chat about the album and kind of let everyone in on the process of what we've been doing for the last two years or so," he enthused. "I'm super excited. All the lead-up has been great. The energy's good. The shows have been awesome. I couldn't be more stoked." In the full interview, Brae talks more about Dear Seattle's new album Toy, what to expect musically, the process of deciding which tracks make it onto the album, the importance of growing musically while still staying true to your musical DNA, the singles released and how they represent the album as a whole, the nostalgic truth behind the album title, their remaining album launch shows and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Cavalera is a name with its fingerprints all over the history of heavy metal, an inspiring family legacy built upon decades of musical aggression, starting all the way back in 1984 in Brazil with Sepultura. Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal. HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks. In today's second chapter, Max delves into his mindset when he went into the studio to revisit music from his past, how the new versions of all three albums are an improvement on the original, his thoughts on how the albums would have been received back then had they been recorded using the knowledge and experience he has today, the emotions that pass over him every time he steps on stage, the blending of experience and youthful exuberance in Cavalera that ensures the ball keeps rolling and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Goblin Infused Metal Storms With ALEX ALEREZA From NEKROGOBLIKON 16:01
16:01
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16:01Heeding the call for their first odyssey to Australia and handed the highly important task of hyping up the party hungry, NEKROGOBLIKON - the self-proclaimed Kings of Goblin Metal - promise to deliver a unique blend of melodic rock and gnarly death metal, infused with EDM-style flourishes when they arrive here for a run of shows with Alestorm towards the end of February. Fronted by their ostentatious singing goblin hypeman John Goblikon and new screaming vocalist Dickie Allen (Infant Annihilator) the band takes cues from GWAR, Finntroll, and Dethklok, while maintaining a humorous, self-referential style. For those unfamiliar with Nekrogoblikon unfortunately there isn't much HEAVY can do to help you understand the band on a more personal level, but the next best thing is to introduce the faithful and the new to guitarist Alex Alereza who we spoke with over two conversations about three weeks apart… We put Alex straight on the spot by asking how Nekrogoblikon have managed to avoid Australia for so long. "It's not on purpose, I promise that," he laughed. "We've been talking about it forever, and it's been something that we tried to make happen. There's been a few times there were tentative plans and then some kind of logistical nightmare occurred or something. Luckily this time we finally… our team was persistent this time (laughs). Like, we have to get you guys out there. It's the perfect way for us to do Australia for the first time, with another like-minded, fun band. I already feel like we'll be coming back more often after this." In the full interview we spoke about the touring dynamics between Nekrogoblikon and Alestorm, what he is expecting from Australian crowds, the importance of keeping music fun, the role of their resident Goblin in everything from the live show to production to recording, the modern sanitized musical climate and where Nekrogoblikon sit in that respect, their musical mish mash of genres and why it works, new music and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 MORBID VISIONS With MAX CAVALERA Part 1 13:42
13:42
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13:42Cavalera is a name with its fingerprints all over the history of heavy metal, an inspiring family legacy built upon decades of musical aggression, starting all the way back in 1984 in Brazil with Sepultura. Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal. HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks… "Nostalgic brutality brother," he smiled when asked what delights Cavalera have planned for us. "Let me break it down for you why I say nostalgic brutality. It's because it's the closest thing you can get to 1980s Brazil extreme metal scene. Morbid Visions, Bestial devastation, Schizophrenia… it's the brutality of those records, the way they're meant to sound, the way we meant them to sound. Just like the re-recordings, except it's live. It's all real, live shit. No gimmicks. No other crap. It's plug your amp and go." In the full interview, we discuss the set list in more detail, including potential cover songs and new tracks from re-recorded albums. Max shared his emotional experience of performing alongside family members, highlighting the unique chemistry between seasoned and younger musicians, and likening their bond to a "mafia" that ensures a lasting musical legacy. He also elaborated on the motivation behind re-recording classic albums, driven by a desire to enhance sound quality while maintaining the raw essence of the originals, identifying Schizophrenia as the standout performance and Morbid Visions as his favorite for its sonic qualities. Max introduced the other members of the band besides himself and Iggor, their plans on how to re-record those three classic albums to improve on the originals, what things they focused on and more. In part 2, coming next week, we talk about his mindset going into the studio, any difficulties he may have faced, what memories revisiting the albums brought back, having his son with him for the new recordings and plenty of other stuff. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Playing ANGELMAKER To SYLOSIS On Aussie Tour With KRYS & NATHANIEL SMITH From LUNE 16:41
16:41
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16:41Opening for any major international touring band is a daunting task, but when you face the prospect of opening for two heavyweights of the metal scene in Sylosis and Angelmaker, that task becomes almost impossible. But don't mention that to rising Australian metalcore outfit Lune, who will be doing just that when the Australian tour kicks off in Perth on February 11. Not that they won't agree with you, it's more that the band already know and are more than ready for the challenge. HEAVY caught up with founding members and brothers Nathaniel (vocals) and Krys Smith (guitar) to find out more. "I'm particularly nervous," Krys began, "because Sylosis are one of those bands that I found when I was formative with my guitar playing. I remember watching a video with Josh (Middleton) teaching how to sweep, and I was just learning to play guitar at the time. So it's pretty hectic for me to be playing shows with that guy. I'm super keen. Just in the process of putting a set together and making sure the nuts and bolts are nice and tight. Very, very excited." In the full interview, the band spoke more about the honour of playing with bands they grew up listening to and the challenges of putting on the best show possible. They elaborated on their touring strategy, focusing on musical perfection and creating a positive environment for all involved, highlighting the importance of tailoring their set list to resonate with audiences while maintaining high energy during performances.We went deeper into a Lune live performance and what to expect, the reception for previous album The Change Around Us And The Change In You, new music and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Kicking Old Habits With JAHRED GOMES From HED P.E. 15:28
15:28
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15:28Fresh off a relentless touring schedule across the United States and Europe, HED PE are ready to conquer Australia once again and, for the first time since 2018, New Zealand. HED P.E. has been a cornerstone in the rock and metal scene, captivating audiences with their unique blend of rock, punk, rasta, gangsta rap, and soul. Many bands three decades into their career would be happy to tread the boards and play for the nostalgia, but not HED P.E. Their most recent and incredibly fifteenth album, Detox, was released in December 2023 and shows a band with no time to sit on their hands and muse about the past. Detox is a crushing return to the G-Punk sound that the band's fans know and adore. HEAVY sat down with frontman Jahred Gomes on the eve of the tour. Jahred described HED P.E's live performances as a journey that incorporates various musical styles, including hardcore, punk, reggae, and hip-hop, and reflected on the positive reception of the album and their recent UK tour. He emphasized the importance of creating new music and touring, despite industry challenges, and acknowledged the band's ability to connect with diverse audiences. He confirmed that a secret record is in the works, which will be announced soon, plus reminisced about the early days of HED P.E. and how they have changed as a band over the course of their career and plenty more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Bringing The MAYHEM Down Under With NECROBUTCHER 24:13
24:13
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24:13Interview by Nev Pearce (Everblack Podcast) Mayhem’s 40th Anniversary show promises to be a once-in-a-lifetime experience for fans, offering a powerful setlist that spans their groundbreaking career - from the raw intensity of their debut album Deathcrush to their latest sonic explorations. This concert will honor the band’s four-decade legacy of musical innovation, boundary-pushing performances, and unrelenting influence on the black metal genre. Fans in Australia will have the exclusive chance to witness this historic celebration, featuring a dynamic live performance that looks back on Mayhem’s journey as pioneers of extreme music. Expect a unique blend of rare footage, iconic photos, and a career-spanning set that underscores the band’s enduring impact on metal and music as a whole. The Everblack Podcast caught up with Necrobutcher from MAYHEM to talk about their return down under for their 40th anniversary tour, reconnecting with previous members Manheim and Messiah, new music on the way and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Crazy Ideas With DREAMKILLERS 28:47
28:47
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28:47Brisbane metal legends Dreamkillers could be forgiven for resting on past accomplishments and spending the remainder of their career playing songs that are known and loved by many without placing themselves at the mercy of the metal Gods by continuing to write and release new music. Since bursting onto the Brisbane music scene in the early 1990s and revolutionising Australian metal with their debut EP Poison In The Soup, Dreamkillers have been a mainstay on the circuit, evolving at their own pace without pause for expectation and/or conformity. Their refusal to bow down to authority and succumb to the whims and desires of industry heavyweights has seen Dreamkillers court controversy and embrace it, standing by their morals and music in a world that has become increasingly sanitised and confronting. Where most bands into the fourth ten year stretch of their musical journey are content to go through the motions, Dreamkillers are only strengthening their resolve. Churning out seven new songs over the past year - all of which will remain as stand alone singles for now - the band shows no sign of slowing down, recently inking a deal with Australian label XMusic and assembling a new batch of songs that promise to continue the bands enduring legacy. They are, quite simply, a musical enigma. An immovable sonic blast of intent and uncompromising honesty that has all but died out in modern times. HEAVY was fortunate enough to speak with the whole band over the last couple of days, running over the swag of tunes released over the last 12 months and how they reflect Dreamkillers moving forward. "Unreal, it's pumping," the band answered when we ask how they feel entering the new year. "It's going good," guitarist Damo added. "More shenanigans, more music, more shows and more debauchery if we can have our way with it (laughs)." "We just had a conversation," added vocalist Les Jobson. "We've got so many tracks we don't know whether to do a double album or two single albums. We just got busy. We thought we won't pay gigs, we'll write songs this year and that's what we did. Next year we're taking it to the streets." In the full interview we discuss Dreamkillers upcoming show at HEAVY Resolutions on New Years Eve, run through each of the tracks released this year and what they are about, chat about what to expect from the upcoming album and which sonic direction it is leaning towards, go deeper into the songwriting process that breathes life and meaning into the band's music, signing with XMusic and what it means to the band, our regular Photo Bomb segment and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Breaking The Curse With MATTY MULLINS From MEMPHIS MAY FIRE 10:16
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10:16Texan metalcore outfit Memphis May Fire decimated Australian fans almost a decade ago when they toured through the country as special guests to Parkway Drive in 2015. Known for their unassailable live shows, MMF have an uncanny ability to connect with their audience on an otherworldly plane, turning band and audience into one living, breathing, circle pit dancing organism that refuses to yield. The band return in July 2025 as co-headliners with Atreyu, who are celebrating the 20th anniversary of The Curse with a series of never to be repeated shows that will see them play the songs from the album as well as other fan favourites. Individually, each band is an ominous live machine, but together they promise to deliver night after night of sonic carnage to remind us what we have been missing out on. HEAVY caught up with frontman Matty Mullins to find out what to expect. "The excitement definitely sinks in nice and early," he smiled when asked if he had cast an eye towards the Australian tour with some six months before it kicks off. "The reality of it all will hit a little closer to that timeframe." We mention the double punch of Atreyu and Memphis May Fire on the same bill, with Matty admitting the union is pretty special to not just the fans, but the bands as well. "We've done a co-headliner tour here in the States as well, so bringing that to Australia seems like the right fit," he noted. In the full interview, Matty highlighted plans to perform a mix of new songs from their forthcoming album Shapeshifter, scheduled for release on March 28, alongside classic hits to engage long-time fans. Matt reflected on the band's evolution and how their experiences have improved their live performances, while also addressing the challenges of creating diverse music while preserving their distinct sound. He concluded by expressing excitement about reconnecting with Australian fans and delivering a memorable show, covering heaps more territory over the course of the interview. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Casting Shadows: The Mystical Spells And Dark Rituals Behind PROJECT ULTIMATE SATAN's 'Opus Satanas' 41:50
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41:50Interview by Angela Croudace Project Ultimate Satan, the brutal death metal band from Canberra, has been shaking up the metal scene with their unique blend of symphonic elements and raw aggression. The band's latest album, The Opus Satanas, released under their label, StudioDecay, is a testament to the band's resilience and innovation, as it has undergone a tumultuous yet creative journey. We sat down with the guitarist, backup vocalist, and the founder of the band, JDecay, to talk about the band's origins, the making of the album, and their bold vision. "Project Ultimate Satan was born from a few different musical journeys," Decay explains. "It all started in 2019 when I was working with the band Inhuman Remnants. I was trying out guitarists and eventually brought in Darryl as a pianist. We hit it off, but the other members weren't keen on shifting from Deathgrind to a more symphonic sound. That's when the seed for Project Ultimate Satan was planted." The band's evolution wasn't easy. After a line-up change and the disruptive impact of COVID-19, The Opus Satanas was delayed multiple times, but the result is worth the wait. "We started recording in 2019 and finished in 2021," JDecay reflects. "Lockdowns and other personal challenges made it tough, but in the end, we were able to refine it. Now, we're ready to push it out and tour." The album is divided into two movements: Malefus Malefacaram and Lex Talionis. The first movement is a deep dive into themes of persecution, inspired by the Hammer of Witches (a 15th-century guide to witch-hunting). The second movement (the Latin phrase referencing the legal principle of exact retaliation) explores the concept of "an eye for an eye," drawing on the story of duality. JDecay elaborates, "The first movement is about persecution, while the second is about retribution. We really wanted to split the album into two halves that represent a journey. It's a raw, brutal exploration of human struggle." A standout feature of The Opus Satanas is its unique sound, blending symphonic elements with death metal intensity. "I wanted to bring in more melody to death metal, adding piano and orchestration. We were experimenting with these larger ideas that, for me, just felt right." As for the band name, Decay said that Project Ultimate Satan came about after an episode of Futurama and thought that it was the perfect name for a band that wasn't already taken."It's all about pushing boundaries," says JDecay with a chuckle. "We wanted something provocative and strong—something that would make people stop and think." With a dedicated fanbase and a fresh sound, Project Ultimate Satan is ready to make their mark. "We've learned a lot through trial and error," JDecay says. "But now, we're tighter than ever, and we're ready to bring The Opus Satanas to life." JDecay is deeply committed to supporting smaller bands and musicians in the metal community. Through his work with StudioDecay, he focuses on artist development, helping emerging acts build their identity, sound, and presence. "We try to give back by focusing on artist development," he says, emphasizing the importance of assisting bands with the business side of music—something many new musicians are unaware of. From helping craft professional PR packages to guiding bands on networking with PR reps, JDecay ensures these smaller acts are equipped with the tools they need to succeed. His approach goes beyond just music; it's about empowering artists to navigate the complexities of the music industry, helping them understand how to get on shows, work with labels, and build a sustainable career. Despite being a smaller label with limited funds, JDecay's dedication to nurturing talent and creating a supportive community reflects his commitment to helping others succeed in a challenging industry. Not bad at all for a few guys from the ACT! Watch for their upcoming Australian tour, and prepare for a death metal experience like no other. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 From The Heart Of THE MURDER CAPITAL: GABRIEL BLAKE Talks Touring, Music, And Inspiration 30:17
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30:17Interview by Angela Croudace HEAVY caught up with Gabriel Blake from The Murder Capital to chat about their latest album, Blindness, their exciting upcoming Australian and New Zealand tour, and the band's incredible journey so far. When asked about the themes of Blindness, Gabriel explained, "The album is about love, being Irish, and dealing with the blindsiding aspects of life. It touches on things like distance, both physical and emotional, and the feeling of not being able to see someone you love." The conversation then turned to their history, with Gabriel reflecting on their previous albums. "Our first record dealt with grief, and the second was more of a celebration of life. Blindness is a departure—it's more about loss, and not just in terms of death, but also the emotional distance between people." The Murder Capital's touring journey has been nothing short of intense. Earlier this year, the band had the incredible opportunity to support two legends: Pearl Jam on their UK tour and Nick Cave & the Bad Seeds, one of Gabriel's biggest idols. Reflecting on their time with Nick Cave, he described the experience as surreal. "It was truly amazing," he said. "Nick Cave is one of the greatest, and we were lucky that he really connected with our music. He even invited us to dinner with him and The Bad Seeds—just the chance to share a real human connection with someone we've admired for so long was unforgettable." The conversation then moved to their debut single, More or Less, which took off online, and Gabriel admitted it was a lot to handle. "It was fun but also intense. We didn't expect it to blow up like that, but we worked hard for it, and it was what we wanted." As for Blindness' artwork, Gabriel explained that the band worked with Victor H, a renowned album cover artist. "The album cover represents potential and the inner emotional struggle of looking out into the world while feeling lost inside." Reflecting on their journey, Gabriel shared a personal insight: "If The Murder Capital never started, I'd probably be working as an undertaker. It's a family business, and I've always had an appreciation for both the highs and lows of life." Gabriel came to an interesting realisation; he sees people at their best, enjoying his music at shows and witnessing people at their lowest, grieving for loved ones through his undertaking job. Gabriel also believes that working as an undertaker has made him more empathetic, emphasising that it's not about the individual but about supporting the family in their time of need. He shared that his philosophy is to set aside one's emotions and ego to be a steady presence for those grieving. The role involves being calm, offering physical help, or providing comfort when needed. He reflected on how this perspective has shaped his appreciation for life, highlighting the importance of putting others first and maintaining emotional composure during challenging moments. Gabriel believes this ability to reserve one's emotions in such situations is key to offering genuine empathy. Gabriel's confidence in the band's growth and future was evident as the interview concluded. "This third album feels like we've truly earned our place. We're not an overnight success—we've put in the work." Catch The Murder Capital live on their Australian and New Zealand tour in April 2025, and experience the raw emotion and depth of Blindness firsthand. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Avenging The Fallen Down Under With JOACIM CANS From HAMMERFALL 19:49
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19:49Interview by Angela Croudace No matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads. Since forming in Gothenburg, Sweden and releasing their debut album Glory To The Brave in 1997, Swedish power metal titans HammerFall have stormed the gates of heavy music’s pantheon and waved the genre’s flag higher and higher with every subsequent release. With multiple international number ones, gold certifications, sold out tours, and over 100 million+ streams and 100 million+ YouTube views, the group upholds a venerable legacy. But it is in a live setting where they outshine their peers and imitators. In true HammerFall fashion, every element becomes dangerously and dramatically amplified. The riffs hit harder. The rhythms thunder louder. The choruses soar closer to the clouds. The GODS have listened, and they have heeded your call. HammerFall will set sail for Australia in January 2025 for their first ever Australian tour. HEAVY caught up with frontman Joacim Cans to dive in further. "This tour is part of the tour of the latest album, Avenge the Fallen," he offered. "And since this is the 13th album - but still an album that will make a difference in the history of Hammerfall - we need to play the songs that the fans want to hear. We also need to play the songs that we want to play. That really makes me go and on stage. I love playing this song because it's so personal to me. We need to put that song in as well. And then maybe you add one or two, like, underdogs, so to speak, like, surprise songs. I think this is the equation for the perfect set list." Check out the full interview to hear the full story. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews
1 Getting Intimate With The Dirtbag With BRENDAN B BROWN Of WHEATUS 19:46
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19:46Wheatus have been here that many times they would almost be classed as Australians. After a whirlwind 2024 that saw the band Down Under twice, once in February for acoustic shows with Art from Everclear and again with Wheatus in April for the Pandemonium Festival, frontman Brendan B Brown has become a beloved fixture in the Aussie music scene. The Wheatus sets at Pandemonium were one of the standout moments of the day, finding that perfect balance between stoking the fires of nostalgia and putting on a killer rock 'n' roll show. The Wheatus Acoustic Tour next January and February is shaping up to be the most fun you can have indoors this summer. Featuring Wheatus frontman and incredibly nice guy, Brendan B. Brown along with his better half, fellow Wheatus member Gabrielle Sterbenz, the epic 14 date run also features founding member and former lead guitarist, songwriter, and vocalist of The Chats, Josh ‘Pricey’ Price. HEAVY spent some time with Brendan recently, where we spoke about just about everything. Brendan shared that Australia was the first place to embrace Wheatus' music, especially the song Teenage Dirtbag, and that they were grateful for the support they received there. We discussed his approach to music and live performances, emphasizing the importance of connecting with the audience and not taking himself too seriously. He explained his method of tailoring each show to the audience's mood and requests, which he finds more engaging than a set list. Brendan also shared his experiences with touring and maintaining a positive band dynamic, highlighting the importance of respect and camaraderie among band members. He expressed his excitement for an upcoming acoustic show, where he and his partner Gabrielle will share stories and play songs from their catalogue and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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