Artwork

Content provided by Henry Jenkins and Colin Maclay. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Henry Jenkins and Colin Maclay or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Player FM - Aplicație Podcast
Treceți offline cu aplicația Player FM !

Audience is part of IP, with Diana Williams

52:46
 
Distribuie
 

Manage episode 327226104 series 2132573
Content provided by Henry Jenkins and Colin Maclay. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Henry Jenkins and Colin Maclay or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Our guest this week is Diana Williams, who, after 30 years in the entertainment media industry working on premier content like the Star Wars Marvel Cinematic universes, has founded a new company, Kinetic Energy Entertainment, focused on partnering with creatives to build new intellectual property (IP) for today’s rapidly changing media landscape. Starting with a clear and holistic definition of IP as being a story world with multiple points of entry for an audience, Diana sees this as a way to honor rich content by developing the ABC’s – Audience, Business, Creative – in tandem with specific media formats, thus building authentic engagement with the audience from the start, rather than marketing to them after a product is developed. We look at how entertainment revenue models have changed with streaming, and how business is struggling to change to fit that reality. Talking through one of her current projects, a PC game called Political Arena developed with pundit Eliot Nelson, we get a closer look at some of the strategies that guide this venture, and also the changing role of entertainment as a source of education. Without having the primary goal to educate, entertainment increasingly, if unwittingly, fills that gap, but does that make it a responsibility? While audience demand may still be dragging the legacy entertainment industry kicking and screaming toward changes in representation, that is the tide, and Diana is betting that building entertainment around audience truth is the way to develop solid and loyal fan relationships that will in turn feed into better content.

A full transcript of this episode will be available soon!

Here are some of the references from this episode, for those who want to dig a little deeper:

Diana’s company, Kinetic Energy Entertainment

More about the Peabody Interactive Board
And the inaugural Winners for Digital and Interactive Storytelling, which were announced on 3/24/2022

Some of the press coverage of Political Arena game:

Washington Post
NPR
Washingtonian
MarketWatch
Mic
The Times UK
Cheddar

Steam page, including the "attack ad" trailer for the game

Political Arena creator and HuffPost columnist Eliot Nelson (book, The Beltway Bible)

Science and Entertainment Exchange

Controversy over whether to recast T’Challa (Black Panther) in the MCU

For more on games-based learning, see:

Kurt Squire

James Paul Gee

Zoe Corwin

Katie Salen Takinbas

For more about building out story worlds, check out our previous episodes with Nonny de La Peña, Alex McDowell, and Ann Pendleton-Julian

We’ve also done several episodes about Transmedia Storytelling

For more on games-based learning, listen to our episode with Kurt Squire and Katie Salen Tekinbas.

… and for more discussion of Fast & Furious fandom, check out our previous episode with Sue Ding!

Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.

Music:
“In Time” by Dylan Emmett and “Spaceship” by Lesion X.
––––––––––––––––––––––––––––––
In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmet
Spaceship by Lesion X https://soundcloud.com/lesionxbeats
Creative Commons — Attribution 3.0 Unported — CC BY 3.0
Free Download / Stream: https://bit.ly/in-time-instrumental
Free Download / Stream: https://bit.ly/lesion-x-spaceship
Music promoted by Audio Library https://youtu.be/AzYoVrMLa1Q
––––––––––––––––––––––––––––––

––––––––––––––––––––––––––––––

Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.

Music:
“In Time” by Dylan Emmett and “Spaceship” by Lesion X.
In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmet
Spaceship by Lesion X https://soundcloud.com/lesionxbeats
Creative Commons — Attribution 3.0 Unported — CC BY 3.0
Free Download / Stream: https://bit.ly/in-time-instrumental
Free Download / Stream: https://bit.ly/lesion-x-spaceship
Music promoted by Audio Library https://youtu.be/AzYoVrMLa1Q
––––––––––––––––––––––––––––––

  continue reading

144 episoade

Artwork
iconDistribuie
 
Manage episode 327226104 series 2132573
Content provided by Henry Jenkins and Colin Maclay. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Henry Jenkins and Colin Maclay or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Our guest this week is Diana Williams, who, after 30 years in the entertainment media industry working on premier content like the Star Wars Marvel Cinematic universes, has founded a new company, Kinetic Energy Entertainment, focused on partnering with creatives to build new intellectual property (IP) for today’s rapidly changing media landscape. Starting with a clear and holistic definition of IP as being a story world with multiple points of entry for an audience, Diana sees this as a way to honor rich content by developing the ABC’s – Audience, Business, Creative – in tandem with specific media formats, thus building authentic engagement with the audience from the start, rather than marketing to them after a product is developed. We look at how entertainment revenue models have changed with streaming, and how business is struggling to change to fit that reality. Talking through one of her current projects, a PC game called Political Arena developed with pundit Eliot Nelson, we get a closer look at some of the strategies that guide this venture, and also the changing role of entertainment as a source of education. Without having the primary goal to educate, entertainment increasingly, if unwittingly, fills that gap, but does that make it a responsibility? While audience demand may still be dragging the legacy entertainment industry kicking and screaming toward changes in representation, that is the tide, and Diana is betting that building entertainment around audience truth is the way to develop solid and loyal fan relationships that will in turn feed into better content.

A full transcript of this episode will be available soon!

Here are some of the references from this episode, for those who want to dig a little deeper:

Diana’s company, Kinetic Energy Entertainment

More about the Peabody Interactive Board
And the inaugural Winners for Digital and Interactive Storytelling, which were announced on 3/24/2022

Some of the press coverage of Political Arena game:

Washington Post
NPR
Washingtonian
MarketWatch
Mic
The Times UK
Cheddar

Steam page, including the "attack ad" trailer for the game

Political Arena creator and HuffPost columnist Eliot Nelson (book, The Beltway Bible)

Science and Entertainment Exchange

Controversy over whether to recast T’Challa (Black Panther) in the MCU

For more on games-based learning, see:

Kurt Squire

James Paul Gee

Zoe Corwin

Katie Salen Takinbas

For more about building out story worlds, check out our previous episodes with Nonny de La Peña, Alex McDowell, and Ann Pendleton-Julian

We’ve also done several episodes about Transmedia Storytelling

For more on games-based learning, listen to our episode with Kurt Squire and Katie Salen Tekinbas.

… and for more discussion of Fast & Furious fandom, check out our previous episode with Sue Ding!

Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.

Music:
“In Time” by Dylan Emmett and “Spaceship” by Lesion X.
––––––––––––––––––––––––––––––
In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmet
Spaceship by Lesion X https://soundcloud.com/lesionxbeats
Creative Commons — Attribution 3.0 Unported — CC BY 3.0
Free Download / Stream: https://bit.ly/in-time-instrumental
Free Download / Stream: https://bit.ly/lesion-x-spaceship
Music promoted by Audio Library https://youtu.be/AzYoVrMLa1Q
––––––––––––––––––––––––––––––

––––––––––––––––––––––––––––––

Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.

Music:
“In Time” by Dylan Emmett and “Spaceship” by Lesion X.
In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmet
Spaceship by Lesion X https://soundcloud.com/lesionxbeats
Creative Commons — Attribution 3.0 Unported — CC BY 3.0
Free Download / Stream: https://bit.ly/in-time-instrumental
Free Download / Stream: https://bit.ly/lesion-x-spaceship
Music promoted by Audio Library https://youtu.be/AzYoVrMLa1Q
––––––––––––––––––––––––––––––

  continue reading

144 episoade

Toate episoadele

×
 
Loading …

Bun venit la Player FM!

Player FM scanează web-ul pentru podcast-uri de înaltă calitate pentru a vă putea bucura acum. Este cea mai bună aplicație pentru podcast și funcționează pe Android, iPhone și pe web. Înscrieți-vă pentru a sincroniza abonamentele pe toate dispozitivele.

 

Ghid rapid de referință