Artwork

Content provided by Brainard Carey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brainard Carey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Player FM - Aplicație Podcast
Treceți offline cu aplicația Player FM !

Laura Anderson Barbata

24:30
 
Distribuie
 

Manage episode 380288297 series 2931750
Content provided by Brainard Carey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brainard Carey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Portrait, Laura Anderson Barbata. Photo: Jake Holler Born in 1958 in Mexico City, Laura Anderson Barbata is a transdisciplinary artist, performer, writer, and educator who lives and works between New York and Mexico City. Since 1992 Anderson Barbata has worked primarily in the social realm, initiating projects in the Venezuelan Amazon, Trinidad and Tobago, Mexico, Norway, and the United States. Among them is the ongoing The Repatriation of Julia Pastrana, begun in 2005, which resulted in the removal of the project’s titular figure’s body from the Schreiner Collection in Oslo, Norway and its successful repatriation and burial in Sinaloa, Mexico, Pastrana’s birth state. The project continues with Anderson Barbata’s production of related artworks, publications, zines, and performances. Anderson Barbata is also known for her project Transcommunality (2001-present), presented in collaboration with stilt dancers, artists, and artisans from Mexico, New York, and the Caribbean. Transcommunality has been staged at various museums, schools, and other public spaces both as exhibitions and performance “Interventions.” Among them are Columbia University, New York (2023); The Watermill Center, Water Mill (2021); Newcomb Art Museum, New Orleans (2021); MUCA Roma, UNAM, Mexico (2020); BRIC Arts | Media House, Brooklyn (2019); The Kennedy Center for the Performing Arts, Washington, D.C. (2019); Isabella Stewart Gardner Museum, Boston (2017, 2018); Rutgers University, New Brunswick (2017); United Nations Plaza, New York (2017); University of Wisconsin, Madison (2015); Museo Textil de Oaxaca, Mexico (2012, 2016); The Modern Art Museum of Fort Worth, Texas (2008); and the Museum of Modern Art, New York (2007). Installation View, Laura Anderson Barbata: Singing Leaf. Photo: Olympia Shannon Archive X, 1998/2023, handmade abaca paper bundles with inclusions from the New Testament in Spanish, Ye´Kuana, Yanomami, Ashuar, Maya, and Quechua languages on bamboo structure, unique installation dimensions variable. Photo: Olympia Shannon. El miedo no anda en burro (autorretrato), 1998/2023, honey wax, mirror, sticks, and stones, unique, 15½ x 7 7/8 x 6 in. / 39.4 x 20 x 15.2 cm. Photo: Olympia Shannon
  continue reading

252 episoade

Artwork
iconDistribuie
 
Manage episode 380288297 series 2931750
Content provided by Brainard Carey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brainard Carey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Portrait, Laura Anderson Barbata. Photo: Jake Holler Born in 1958 in Mexico City, Laura Anderson Barbata is a transdisciplinary artist, performer, writer, and educator who lives and works between New York and Mexico City. Since 1992 Anderson Barbata has worked primarily in the social realm, initiating projects in the Venezuelan Amazon, Trinidad and Tobago, Mexico, Norway, and the United States. Among them is the ongoing The Repatriation of Julia Pastrana, begun in 2005, which resulted in the removal of the project’s titular figure’s body from the Schreiner Collection in Oslo, Norway and its successful repatriation and burial in Sinaloa, Mexico, Pastrana’s birth state. The project continues with Anderson Barbata’s production of related artworks, publications, zines, and performances. Anderson Barbata is also known for her project Transcommunality (2001-present), presented in collaboration with stilt dancers, artists, and artisans from Mexico, New York, and the Caribbean. Transcommunality has been staged at various museums, schools, and other public spaces both as exhibitions and performance “Interventions.” Among them are Columbia University, New York (2023); The Watermill Center, Water Mill (2021); Newcomb Art Museum, New Orleans (2021); MUCA Roma, UNAM, Mexico (2020); BRIC Arts | Media House, Brooklyn (2019); The Kennedy Center for the Performing Arts, Washington, D.C. (2019); Isabella Stewart Gardner Museum, Boston (2017, 2018); Rutgers University, New Brunswick (2017); United Nations Plaza, New York (2017); University of Wisconsin, Madison (2015); Museo Textil de Oaxaca, Mexico (2012, 2016); The Modern Art Museum of Fort Worth, Texas (2008); and the Museum of Modern Art, New York (2007). Installation View, Laura Anderson Barbata: Singing Leaf. Photo: Olympia Shannon Archive X, 1998/2023, handmade abaca paper bundles with inclusions from the New Testament in Spanish, Ye´Kuana, Yanomami, Ashuar, Maya, and Quechua languages on bamboo structure, unique installation dimensions variable. Photo: Olympia Shannon. El miedo no anda en burro (autorretrato), 1998/2023, honey wax, mirror, sticks, and stones, unique, 15½ x 7 7/8 x 6 in. / 39.4 x 20 x 15.2 cm. Photo: Olympia Shannon
  continue reading

252 episoade

Alle afleveringen

×
 
Loading …

Bun venit la Player FM!

Player FM scanează web-ul pentru podcast-uri de înaltă calitate pentru a vă putea bucura acum. Este cea mai bună aplicație pentru podcast și funcționează pe Android, iPhone și pe web. Înscrieți-vă pentru a sincroniza abonamentele pe toate dispozitivele.

 

Ghid rapid de referință