In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Vineeth Sreenivasan Interview with Anupama Chopra | Varshangalkku Shesham | Film Companion
Manage episode 412299812 series 2633131
Content provided by Film Companion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Companion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In an exclusive interview with Anupama Chopra, Vineeth Sreenivasan discusses his film "Varshangalkku Shesham," featuring Pranav Mohanlal and Nivin Pauly. He shares his inspirations and reflects on his career choice. Sreenivasan elaborates on his on-set experience, where the friendly crew indulged in cricket matches all-day, sometimes overshadowing shoots. He also delves into the nepotism debate, offering insights on its nuances and controversies.
00:00 - In conversation with Vineeth Sreenivasan 00:44 - How does Vineeth, as an Actor/Producer/Writer/Singer prioritise his work? 02:30 - Talent being a family tradition for the Sreenivasan’s 05:38 - Talking about his new film “Varshangalkku Shesham” 09:39 - Directing family members, and the rules they set for themselves 10:30 - Vineeth on his brother Dhyan Sreenivasan 12:07 - Stories surrounding the on-set ruckus, and the never ending cricket matches 14:25 - Handling the legacy Pranav Mohanlal comes with 16:48 - Clashing with Fahadh Faasil’s Aavesham 19:26 - Vineeth’s acting processes 23:13 - Falling in love with characters before writing them 25:52 - Music being a major character in Vineeth’s films 27:58 - The motive of the music 28:25 - Getting Vinyl Records for “Varshangalkku Shesham” 32:53 - Shooting “Madhu Pakaroo,” and the ball they all had on set 35:39 - Reminiscing the time things changed for Malayalam Cinema 38:53 - Not nurturing cut-throat competition 40:43 - Nepotism being everywhere
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241 episoade
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Manage episode 412299812 series 2633131
Content provided by Film Companion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Companion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In an exclusive interview with Anupama Chopra, Vineeth Sreenivasan discusses his film "Varshangalkku Shesham," featuring Pranav Mohanlal and Nivin Pauly. He shares his inspirations and reflects on his career choice. Sreenivasan elaborates on his on-set experience, where the friendly crew indulged in cricket matches all-day, sometimes overshadowing shoots. He also delves into the nepotism debate, offering insights on its nuances and controversies.
00:00 - In conversation with Vineeth Sreenivasan 00:44 - How does Vineeth, as an Actor/Producer/Writer/Singer prioritise his work? 02:30 - Talent being a family tradition for the Sreenivasan’s 05:38 - Talking about his new film “Varshangalkku Shesham” 09:39 - Directing family members, and the rules they set for themselves 10:30 - Vineeth on his brother Dhyan Sreenivasan 12:07 - Stories surrounding the on-set ruckus, and the never ending cricket matches 14:25 - Handling the legacy Pranav Mohanlal comes with 16:48 - Clashing with Fahadh Faasil’s Aavesham 19:26 - Vineeth’s acting processes 23:13 - Falling in love with characters before writing them 25:52 - Music being a major character in Vineeth’s films 27:58 - The motive of the music 28:25 - Getting Vinyl Records for “Varshangalkku Shesham” 32:53 - Shooting “Madhu Pakaroo,” and the ball they all had on set 35:39 - Reminiscing the time things changed for Malayalam Cinema 38:53 - Not nurturing cut-throat competition 40:43 - Nepotism being everywhere
Follow Us On
http://instagram.com/filmcompanion
https://www.twitter.com/filmcompanion
https://www.facebook.com/filmcompanion
Find us on YouTube:
https://www.youtube.com/@FilmCompanion
https://www.youtube.com/@FilmCompanionSouth
https://www.youtube.com/@FilmCompanionLocal
https://www.youtube.com/@ReviewsandMore.
https://www.youtube.com/@FilmCompanionShorts
241 episoade
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Similar cu Interviews with Anupama Chopra
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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