In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Black Widow With Miriam Kent
Manage episode 442118491 series 2634001
Content provided by Podnose. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Podnose or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
It’s Good, Except It Sucks is a movie by movie – and television series by television series – hurtle through the Marvel Cinematic Universe, hosted by Tim Worthington with a series of superpowered guests.
This time it’s Black Widow from 2021, and joining Tim for a chat about Yelena Belova not quite managing to break her 'eating stale biscuits' conditioning is academic Miriam Kent. What will they find to say about whether men are more upset by female-fronted action movies if they have Nirvana songs in them, Scarlett Johansson's butt being the butt of butt jokes about Scarlett Johansson's butt and the unmade epic Shang-Chi Kicks The Multiverse, and what does any of this have to do with The Apocalyptic Two Ronnies? Get listening and find out!
You can find more editions of It's Good, Except It Sucks at http://timworthington.org/. You can also find Miriam on Jessica Jones here, Runaways here, Eternals here, She-Hulk: Attorney At Law here and the 1989 big screen version of The Punisher here.
If you enjoy Its Good, Except It Sucks, you can help to support the show by buying us a coffee here. Let's hope Natasha stashed her tin of General Foods International somewhere slightly more hospitable.
100 episoade
Distribuie
Manage episode 442118491 series 2634001
Content provided by Podnose. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Podnose or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
It’s Good, Except It Sucks is a movie by movie – and television series by television series – hurtle through the Marvel Cinematic Universe, hosted by Tim Worthington with a series of superpowered guests.
This time it’s Black Widow from 2021, and joining Tim for a chat about Yelena Belova not quite managing to break her 'eating stale biscuits' conditioning is academic Miriam Kent. What will they find to say about whether men are more upset by female-fronted action movies if they have Nirvana songs in them, Scarlett Johansson's butt being the butt of butt jokes about Scarlett Johansson's butt and the unmade epic Shang-Chi Kicks The Multiverse, and what does any of this have to do with The Apocalyptic Two Ronnies? Get listening and find out!
You can find more editions of It's Good, Except It Sucks at http://timworthington.org/. You can also find Miriam on Jessica Jones here, Runaways here, Eternals here, She-Hulk: Attorney At Law here and the 1989 big screen version of The Punisher here.
If you enjoy Its Good, Except It Sucks, you can help to support the show by buying us a coffee here. Let's hope Natasha stashed her tin of General Foods International somewhere slightly more hospitable.
100 episoade
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Similar cu It's Good, Except It Sucks
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
En gång i veckan ägnar de en timme åt varandra, i ett samtal som ingen jävel får störa. Kan de inte bara få göra det? Låt dem hålla på! Det är NYTTIGT för dem.
…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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